Hat on the Ridge Axxam, Agalri sɣur Kiyotoshi Mori and Natsuko Kawamura

Hat on the Ridge Axxam, Agalri sɣur Kiyotoshi Mori and Natsuko Kawamura d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2023

Hat on the Ridge Axxam, Agalri

sɣur Kiyotoshi Mori and Natsuko Kawamura

Amsaɣ: MDS Co., Ltd.

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

11,335

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #142103

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Hat on the Ridge Axxam, Agalri

Hat on the Ridge d axxam n uɣerbaz n snat n tuẓǧa, yettwabnan s ttesbaḥt, yesɛan agalri di Kamakura, Japan. Aḍar n wakal yeɣli s tidet ɣef wezṛu alqayli, sqef s lqaɛa taẓegzawt yeṭṭef tallunt war tigejda. Asqef yezga wanda ddaw ɣer tama, wanda ɛlayen ɣer lqaɛa. Yal yiwet seg ṛebɛa n tuɣmas n usqef tettwaḥrek d asawen akken ad teldi ɣer yiwet n tmuɣli yemxalafen: adrar, alfaḍ, taddart akked igenni. S wammud-agi, ttwafeṣlen ṛebɛa n tallunin yemxalafen. Deg lekwanat, tuẓǧa n ufella tettwagzem ɣer lqaɛa, s wakka tettwaqqen snat n tuẓǧiwin. Lqedman ttbanen-d ɣef lmizan n tudert n yal ass.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Hat on the Ridge Axxam, Agalri d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Hat on the Ridge Axxam, Agalri ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Hat on the Ridge Axxam, Agalri yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Earthen floor connects with the bedrock, and square roof opens to the landscape - The space was vertically diversified by adding the floor on the ground and levitating the roof over the earth. The roof lowers down towards the roof edge and heightens up in the center. Each of the four edges of the roof opens to a different view: the mountain, the valley, the village, and the sky. Responding to these rich surroundings, each edge is flipped up to make four different spaces with different views.
Tigejdiwin & Akemmus: 2story wooden building
Width 6825mm x Depth 6825mm x Height 6970mm
Tibzimin: Villa, Gallery, Pit dwelling, Dorma, Cats, Vista, Mountain, Village, Sky, valley
Tasnakta n Ufares: Earthen floor connects with the bedrock, and square roof opens to the landscape. Each of the four edges of the roof opens to a different view: the mountain, the valley, the village, and the sky. Responding to these rich surroundings, each edge is flipped up to make four different spaces with different views.
Asewḥel n Usnulfu: The site is covered in a soft sediment over the surface of bedrock. The site was above the road level by just the thickness of the soil, which we chose to remove by the shape of the building footprint to put the foundation directly on the bedrock. The approach from the road is dug into this soil as well, gently sloping up towards the house. By placing a structurally stable pyramid roof over the simple square-shaped plan of the house, we created a pillarless space under the single roof.
Anadi: From a gallery-like space to a house with a gallery.
When the construction was first completed, the ground floor entrance hall and upper floor bookshelves were gallery-like spaces for displaying antiques and other items that were the owner's hobby.
By displaying them within the scale of the living space, the works of art feel more familiar, and visitors can easily imagine the scene in which they will be placed in their residences.
Aseḥbiber: The origin of the idea is a pit dwelling that blends in with the mountain range. Removing soft sediments over the surface by the shape of the building footprint to put the foundation directly on the bedrock, a semi-subterranean-like space buried in the earth is created. The space was then vertically diversified by adding another floor above the ground and levitating the roof over the earth.
Tanzagt n Usenfar: The construction started in in September 2018 and finished in May 2019 in Kamakura, Japan.
Tanila n Umahil: Cut through the floor in the corners - In the corners where the roof edges were left unflipped, the upper level floor is cut through to the ground to connect the two levels.
Flip up the roof edges - Each of the four edges of the roof opens to a different view: the mountain, the valley, the village, and the sky. Responding to these rich surroundings, each edge is flipped up to make four different spaces with different views.
Igmamen n Terbaɛt: Kiyotoshi Mori
Natsuko Kawamura
Imsuren n Tugniwin: Photographer TOREAL Koji Fujii