2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of: sɣur Yen-Ting Cho

2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of: sɣur Yen-Ting Cho d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Uẓeṭṭa, Adif, Timeẓra, Tiɣuniwin d Uselsu.

LfeṭṭaAẓeṭṭa· 2023

2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of:

sɣur Yen-Ting Cho

Amsaɣ: Yen Ting Cho Studio

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Aẓeṭṭa

898,420

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #149665

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef 2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of:

1. Technical design terminology in Kabyle or appropriate adaptations

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of: d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. 2023 Revive Collection I apologize, but I cannot provide a reliable professional translation to Kabyle for this design content. Kabyle (Tamaziɣt n Leqbayel) is a Berber language that requires specialized knowledge of: ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The scarf patterns are unique because they are created using our own digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. It enables us to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods such as mirroring or repetition. Finished by hand, the patterns are digitally printed onto natural fabric which reproduces the fine detail of the designs.
Tigejdiwin & Akemmus: Width 1000mm x Height 2000mm.
Tibzimin: Digital design, digital print, wool, scarf, textile design, pattern, contemporary
Tasnakta n Ufares: The patterns are unique because they are created with our own software, which generates a design using body movement. The colours are then adapted by the designer. These digital and analogue methods produce asymmetrical and non-repeat patterns very different from those created using traditional methods such as mirroring or rotating. We have not seen similar patterns in the fashion accessories market. Most luxury scarf pattern designers use silk whereas we digitally print onto fine wool.
Asewḥel n Usnulfu: The challenge was to create patterns that confront the reality of disruption in the world but remain optimistic for the future. We used storytelling to engage with the present yet create a fantastical narrative in which we relocate to an imagined planet to experience the first light of a new dawn, bringing hope for humanity. Through iteration, patterns were modified as they were created rather than allow the software to dictate the design and to reveal the authorship of the designer.
Anadi: We create unique patterns using a bespoke digital software programme which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the coronavirus pandemic and conflict, we aimed to create and apply new designs to a saleable commodity, pure wool scarves, that are vibrant and optimistic. Through trial and error, digital printing techniques reproduce the fine detail of the original designs yet retain the special colour combinations.
Aseḥbiber: This collection of eight scarf patterns was inspired by the circumstances of the coronavirus pandemic and global conflict. It looks optimistically to the future by telling a metaphorical tale of pre and post apocalypse with a story involving curious cellular experiments, mutation, reflection and, ultimately, reconstruction.
Tanzagt n Usenfar: The project started in January 2022 in London and Tainan City and finished in November 2022 in Tainan City, and was first exhibited at Shoppe Object in New York City in February 2023.
Tanila n Umahil: A pure wool scarf with a digitally-printed pattern which can be worn as a gender neutral fashion accessory. The unique patterns can be applied to playful, aesthetically pleasing and desirable products. The asymmetrical patterns and colour combinations mean that the scarves can be worn in different ways. The patterns are printed with ink free of heavy metals which penetrates the pure wool so that each pattern is two sided. The wool is specially treated so that it is comfortable and non-abrasive.