Crevice Asalay n Tẓuri sɣur Socal V d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LfeṭṭaTansekta· 2025

Crevice Asalay n Tẓuri

sɣur Socal V

Amsaɣ: Socal V

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tansekta

21,558

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #167267

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Crevice Asalay n Tẓuri

Crevice d asalay n tẓuri deg Weihai, di Tempirit n Ccinwa. Aṣeggem-is yekka-d seg wazal i ttaken iselmaden n Confucius i idurar d waman. Talɣiwin timeqqranin s ṣṣifa n ukerdis smektayent-aɣ-d timura s tseddarin n Shandong, ma d iberdan ileggaɣen smektayen-d isaffen-is. Asalay ibedd ɣef wakal n 6.000 n lmitrat imkuẓen, ma d tajumma n lebni s umata tewweḍ 10.000 n lmitrat imkuẓen. Ttwasqedcen ifecka iparamitriyen i uṣeggem n tseddast n ssqef akked usnerni n usexdem n twuɣa s wazal. Timnaḍin n tmeskant zemrent ad beddlent, sxeddament tafat tagamant akked tmuɣliwin ɣef tmurt. Iswi d asken n yidles adigan s wudem atrar.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Crevice Asalay n Tẓuri d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Crevice Asalay n Tẓuri ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This design, inspired by Confucius' appreciation of mountains and water, merges with Shandong's terraced landscapes and waterways. The "Crevice" concept, embodying mountainous terrain with giant triangles and fluid waterways, harmonizes with the environment as a natural earth extension. It reinterprets ancient culture contemporarily. This approach shapes visitor experiences, encouraging a dialogue with the space and guiding them towards a culture of inner peace.
Tigejdiwin & Akemmus: This art museum is situated on a 6,000 square meter site, with a total building area of 10,000 square meters. The design efficiently maximizes the use of space, ensuring a harmonious blend of form and function. Its spatial layout and structure have been meticulously planned to complement the surrounding landscape, while providing ample area for exhibitions and cultural activities. The technical specifications of the project have been carefully considered to align with both aesthetic and functional requirements, making it an exemplary model for contemporary museum architecture.
Tibzimin: Art Museum, Folk Art, Wood Structure,
Tasnakta n Ufares: Our design leveraged parametric tools to refine the roof structure, optimizing form and performance while maintaining aesthetic harmony. Computational modeling enabled iterative exploration, ensuring structural efficiency and material economy. We utilized Rhinoceros and Grasshopper for advanced 3D modeling, combined with environmental analysis tools to integrate sustainable strategies. This approach allowed us to align design intent with functionality, creating a cohesive and innovative outcome.
Asewḥel n Usnulfu: The main challenge was distilling vernacular architectural features, integrating folk culture with space, and blending into the site while fostering local development. Research on Shandong’s intangible cultural heritage, such as Rushan Qinshu, Shandong yangko, teahouses, and silk production, informed the design. By studying exhibition spaces, the project creates tailored stages for each cultural element, inviting visitors to immerse themselves in traditional Chinese culture.
Anadi: Our research, an applied design study, aimed to integrate a museum within Shandong's landscape, reflecting local culture. We combined qualitative and quantitative methods, analyzing site characteristics, cultural history, and architectural styles. Utilizing Rhinoceros, Adobe Suite, Miro, and Discord, our team, including architects and historians, developed a design harmonizing with the natural environment. The results demonstrate the significance of cultural and environmental sensitivity in design, impacting sustainable architecture, cultural preservation, and enhancing visitor experiences in business and society.
Aseḥbiber: It drew inspiration from Confucius' wisdom, harmonizing mountains and water. It symbolizes the local topography through the "Crevice" concept, blending complexity, and water's transformative essence. It reflects tradition and innovation, fostering a dialogue with nature. The project's technical foundation lies in intricate terrain, pagoda roofs, and cultivated land, with spaces promoting cultural expression. The waterway represents change, offering unplanned discoveries and inner tranquility.
Tanzagt n Usenfar: 2023 in Weihai, China
Tanila n Umahil: The art museum operates interactively, with adaptable exhibition areas and installations that engage visitors. Its design guides a journey through art and culture, with key features like natural lighting and scenic views. The layout transforms with time and season, offering unique experiences on each visit. This integration of art, nature, and architecture enhances the visitor experience, making the museum a superior cultural destination.
Ibrivan: Copyrights belong to SOCAL V
Igmamen n Terbaɛt: Yanci Chen, Jing Chen, Guanyu Tao, Zhiqian Xu
Imsuren n Tugniwin: Image 01: Creator SOCAL V
Image 02: Creator SOCAL V
Image 03: Creator SOCAL V
Image 04: Creator SOCAL V
Image 05: Creator SOCAL V