Ɛeddi ɣer ugbur
Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit sɣur Moriyuki Ochiai Architects

Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit sɣur Moriyuki Ochiai Architects d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LfeṭṭaAgensu· 2025

Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit

sɣur Moriyuki Ochiai Architects

Amsaɣ: Moriyuki Ochiai Architects

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

22,437

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168119

Initen

Afeṣṣel

Ɣef Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit

Waterscape Colab akked Jpre d agensu n tnarit yettwabḍan di Tokyo, Japun, yesɛan 800 n lmitrat imkerrḍen. Yiwet n tferkit n aluminyum yettuɛawden tettwafser ɣef ssqef akk, tettak-d lemwaji i d-yesmeɣliyen tafat tagamant. Deg tewwurt n unekcum, lemwaji ǧehdent, taɣzi n ssqef tettbeddil s waṭas. Deg umkan n usunfu s isufaten akked yimukan n lbiruwat, lemwaji hednent, ssqef yuli, ayen yettɛawanen ɣef uḥerres n lbal d usteɛfu. Deg yimukan n lbaṛ akked tkuzint, lemwaji qqiment d timecṭaḥ, ayen i d-yesnulfuyen tawennaḍt taqṛibt. Iḥricen n ssqef zemren ad ttwafeskan, ad ttwasbedden tikelt-nniḍen deg umkan-nniḍen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Waterscape Colab with Jpre Asenmel n Ugensu n Tnarit ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Here, a single aluminum sheet is spread across the entire ceiling and fills the space with waves full of fresh vitality, reflecting light and producing soft glimmers like that of the sunlight shining on the surface of the paddy fields of yesteryear. The beautifully overlapping metallic waves create areas of different heights and expanses of space that change freely, just as water flows in a lively and reactive manner, thus suffusing the area with the necessary functions and atmosphere.

In the entrance area, the intense flow of the waves creates a dynamic space where the height of the space changes vertically in dramatic fashion, giving visitors a strong sense of movement, promoting stimulating encounters and ideas.
In the sofa lounge and desk areas, the waves become calmer and the height of the space increases, providing an environment geared for relaxation and concentration along with a sense of openness.
In the bar and kitchen areas, the waves are kept low and calm, creating an intimate space for people to liven up and enjoy deeper conversations.
Sunny and cloudy skies, sunrise and dusk, and other seasonal and daily changes in natural light are experienced with subtlety, allowing for a variety of atmospheric spatial experiences depending on the location of visitors and the passage of time.

The beautifully transient overarching waterscape creates a poetic rhythm in response to the changes in environmental light, producing a mysterious radiance imbued with profound depth that enhances the enjoyment and pleasure of artisans engaged in creative activities.
Tigejdiwin & Akemmus
800sqm
Tibzimin
office, officedesign,officespace, design, award,spacedesign, interiorarchitecture, japandesign, interior, moriyuki ochiai,
Tasnakta n Ufares
Please refer to project description.
Asewḥel n Usnulfu
- Sustainable Aspects -
We used “recycled“ aluminum sheets for this space project.
Moreover, since they give the space its singularity, we adapted the assembly method of the aluminum ceiling parts so as to be able to disassemble and reinstall them when moving the business to a different location. In doing so, we devised a way to effectively reduce the costs of moving.
Anadi
Please refer to inspiration and description.
Aseḥbiber
-The light of transient waves reflecting fleeting changes in nature and time-

We designed shared office spaces intended to bring together a diversity of Japanese manufacturing companies and spark the co-creation of new cultural and business values through organic exchanges.

Deliverables included spaces that stimulate creativity and foster interaction among the diverse artisans working in the shared office who promote the use of traditional Japanese manufacturing techniques. Moreover we sought to reflect the history of the district of Gotanda, an area whose name echoes it's rural rice farming origins. Thus grew the idea to create an office space that harmoniously incorporates these elements.

A kimono is born from a single piece of cloth,
Origami is the art of transforming a single sheet of paper into various forms.
Furoshiki is a single piece of cloth used to wrap objects of all shapes and sizes.
Limited resources have spurred a variety of Japanese innovations that have made their way in the creation of everyday goods.
In celebration of this cultural heritage, we endeavored to create a space that satisfies various functions and requirements through the ingenious volumization of a simple flat surface, made of aluminum, a limited material.
Tanzagt n Usenfar
located in Tokyo , Japan
Tanila n Umahil
Please refer to inspiration
Ibrivan
Moriyuki Ochiai Architects
Igmamen n Terbaɛt
Client: Japan Post Real Estate,__Design: Moriyuki Ochiai Architects (Moriyuki Ochiai, Jun Ueda,),__Creative direction: Harumaki Project,__Constructor: Aslego, Seieidensetsu,__Special Paint: Coat,__Furniture: Hiro and associe,__Photo: Daisuke Shima,
Imsuren n Tugniwin
Photo: Daisuke Shima

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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