Fluid Rhythm Agens n Wedrag n Usenfar sɣur Cho Yin Ching

Fluid Rhythm Agens n Wedrag n Usenfar sɣur Cho Yin Ching d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2025

Fluid Rhythm Agens n Wedrag n Usenfar

sɣur Cho Yin Ching

Amsaɣ: Borg Design interior Renovation Co., Ltd.

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,621

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168269

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Fluid Rhythm Agens n Wedrag n Usenfar

Fluid Rhythm d agens n usenfar (design studio) idaxli, i ixeddmen daɣen d asalun n uskan (showroom). Amkan-a yezga ɣef 148.5 n imitrat imrebbaɛen, yebḍa ɣef sin idamen. Adam amenzu yeṭṭef tamnaḍt n uqbal n inebgawen, tamnaḍt n usekles akked tqacuciyin n inebgawen. Adam wis sin yeṭṭef amkan agejdan n uxeddim, takuzint akked tmnaḍt n usteɛfu. Iqecwal ihewwjen ttṛuḥun-d si yigenna ar usqif, ɣef waya rnu tamsislit n tafat i yellan yeɣlin deg-sen tettarra-d ɣer usuddes. Ilugan yettwaseqdacen ttɛeddin ɣef titan oxide (titanium oxide) n uzzal, aɣilaf n uɛeddis (optical acrylic) akked wedɣaɣ asemday yesɛan tarrayt n karbun idrusen. Kra n yidamen ttwajjan war ma yekmel-iten uxeddim, iwakken ad izmiren yiwen ad yemcabi gar tarrayin d yiferdisen n uneflug yemgaraden.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Fluid Rhythm Agens n Wedrag n Usenfar d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Fluid Rhythm Agens n Wedrag n Usenfar ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Fluid Rhythm Agens n Wedrag n Usenfar yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This project reimagines a design studio as a living showroom where materials, craftsmanship, and light converge in an immersive sensory dialogue. Every surface is curated to invite touch, revealing the transition from raw texture to refined finish. Layered curves shape both threshold and narrative, while light traces form and material, blurring the line between process and completion. It becomes a spatial manifesto where design is experienced, not explained.
Tigejdiwin & Akemmus: This interior design studio spans two floors, covering 148.5 square meters, and is structured to balance functionality, aesthetics, and environmental adaptability. The first floor features a reception area, storage, and guest facilities, while the second floor houses the main workspace, kitchen, lounge, and private amenities. A key material choice is Japanese-imported eggshell paint, which regulates humidity, improves air quality, and reduces condensation.
Tibzimin: Fluid Architecture, Light Layering, Curved Pathways, Material Overlap, Exhibition Space, Workplace Aesthetics, Visual Immersion, Environmental Interaction
Tasnakta n Ufares: This design integrates precision craftsmanship and advanced material applications. Key materials include Titanium Oxide Metal, Optical Acrylic, and Low Carbon Composite Stone, chosen for their reflective, translucent, and textural qualities. A custom large scale sliding door seamlessly merges with the space, while Japanese imported eggshell paint regulates humidity and minimizes glare. Embedded LED sensors enhance interactivity, reinforcing the responsive nature of space.
Asewḥel n Usnulfu: One of the greatest challenges was the precision engineering of the large-scale sliding door, which had to support the weight of full-surface tiled panels while ensuring seamless movement. The integration of metal framework and ceramic finishes required exact tolerances to prevent fractures. Additionally, the studio itself serves as a live demonstration, showcasing a spectrum of techniques, patterns, and finishes, with some deliberately left unfinished for comparison, demanding careful composition to achieve a cohesive, authentic spatial identity.
Anadi: This applied design research explores how spatial composition, material interplay, and interactive lighting influence user perception. Using spatial prototyping and user observation, data was collected through movement tracking, material perception studies, and lighting response analysis. Findings revealed that dynamic lighting and contrasting textures enhance spatial awareness, informing more adaptive, sensory-driven workplace and exhibition design.
Aseḥbiber: A space that doesn’t engage the senses is a wasted opportunity. Inspired by the fluidity of water and the interplay of light and reflection, this project transforms space into a sensory driven experience. It explores how light, material, and form create a dialogue between architecture and users, dissolving the boundary between function and emotion. The goal was to design an environment that responds dynamically to movement and perception, engaging users on a visceral level.
Tanzagt n Usenfar: This project began its design phase in Taichung, Taiwan, in June 2023 and was completed and put into operation in January 2024.
Tanila n Umahil: Visitors step into a welcoming expanse where curves flow seamlessly from walls to ceiling, mirroring the fluid rhythm of water in motion. Overhead, sculpted forms catch and refract light, casting shifting waves of shadow. The path unfolds naturally, guided by subtle light cues embedded in the floor, responding to each step. Ascending, daylight filters softly through curved partitions, while the vivid orange restroom offers a sudden, refreshing contrast, setting up an intentional pause within the flow.
Ibrivan: Borg Design interior Renovation Co., Ltd.
Imsuren n Tugniwin: Image #1: LEADER KING INTERNATIONAL CO., LTD.
Image #2: LEADER KING INTERNATIONAL CO., LTD.
Image #3: LEADER KING INTERNATIONAL CO., LTD.
Image #4: LEADER KING INTERNATIONAL CO., LTD.
Image #5: LEADER KING INTERNATIONAL CO., LTD.