Tianmianshang Askuti sɣur Art Institute of Xiaoyan

Tianmianshang Askuti sɣur Art Institute of Xiaoyan d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2025

Tianmianshang Askuti

sɣur Art Institute of Xiaoyan

Amsaɣ: Art Institute of Xiaoyan

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168556

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Tianmianshang Askuti

Tianmianshang d askuti yellan di temdint n Huizhou, di taxxamt n Guangdong. Askuti-agi ibedd deffir n tebḥirt n tteffaḥ n Ccina, yerna yettak-ed adeg alaɣu i usteɛfu deg tabɛint. Aselkim-agi yesteqsay tabḍa tamagnut gar wemkan, ssqef akked ssqef ukessar, gar wagu d berra. Idaddayen n wemkan d ssqef yesɛan ttawilat ttṣergent-d aṭas n imukan n tikkelt. Ukuz iɣerban imeqranen ttemyaṛtan s sin iɣerban n bilun ur netban ara s wudem uslig akked tgejdal n bilun, ayen yesnegzen tilisa n wemkan yerna yernu ṣṣifat i wagu n usentel. Ssqef d tinεimit n wuzzal ifsusen s izirig izeddigen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Tianmianshang Askuti d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Tianmianshang Askuti ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Tianmianshang Askuti yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Art Institute School of Xiaoyan wants to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. AIXY hopes this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Tibzimin: Rural Design, Cultural Design, Public Space
Tasnakta n Ufares: Its column, using concrete structure, in addition to the four main walls created for the interior space, also added two irregularly arranged concrete walls, which are not simply used to separate the space but blur the boundaries of the space, forming a spatial structure from unorganized to shaped. This design not only enhances the stability of the building but also gives the whole space more layers of change.
A one-piece, lightweight steel structure is used for the roof. This design not only visually presents clean and smooth lines but also strengthens the sense of unity and lightness of the building as a whole, making the building seem to float in the surrounding natural environment. It not only conforms to the aesthetics of modern architecture but also interprets the architectural concept of man and nature.
Asewḥel n Usnulfu: This project was completed by the students and tutors of Art Institute School of Xiaoyan, during which the communication and design of the program, as well as the coordination between the students was challenging.
Anadi: When a space is abstracted to its elementary components, people are given a chance to decompose and re-examine these components on a more fundamental level.
Since mankind adopted the concept of shelter as a tradition, “the threshing floor was a place of work but also a place of gathering, dancing, ritual, and worship” (Elements of Architecture, Rem Koolhaas).
Art Institute School of Xiaoyan intended for the project to be a space of action and gathering. Approaching the request with its intended abstractedness, they want to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. They hope this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Aseḥbiber: From plaza to apartment floors to parliament floor, the idea of floor has been a fundamental symbol for action, be it the more private types or more public types such as a place for negotiation, congregation. Similarly, the roof or ceiling (in this case Art Institute of Xiaoyan is intentionally obscuring the distinction between the two), is the reciprocal of floor, completing the concept of a sheltered space, and has evolved in recent years to being an envelope for practicality (hidden structural system, HVAC system, false ceiling etc)
Tanzagt n Usenfar: It is located in Huizhou City, Guangdong Province.
Tanila n Umahil: Art Institute School of Xiaoyan wants to create a space that breaks traditional boundaries, a building that is not just a physical entity but an experience. This pavilion is situated behind an orange grove, where people can temporarily disconnect from the hustle and bustle and experience nature.
Igmamen n Terbaɛt: Jianguo Dong
Jinjun Zhang
John Barton
Simba Xu
Michaël Dooley
Zhixuan Luo
Jintao Li
Yawen Wang
Xiwu Chen
Na Ou
Yanjun Zhang
Yaqi Wang
Yuezhuo Hu
Tsingz Huang
Ziqi Wang
Yueyao Huang
Ziyu Zhou
Zimo Zhao
Yiyi Yang
Peichen Dong
Hao Geng
Langbo Shi
Shanghong Shi
Haoxiang Yuan
Xinlei Liu
Chenyu Lai
Yaxin Zhang
Junning Zhang
Zhishun Min
Jiashu Xiang
Zichang Guo
Yanjie Zhu
Yutong Yao
Qixuan Yang
Zixi Liu
Anni Zheng
Ziyan Wang
Zixi Chen
Ziying Chen
Chuyue Li