Light Field Aneflus n Wexxam n Uxeddim sɣur Wei Ting Mou and Ze Li Peng - Puyu Design

Light Field Aneflus n Wexxam n Uxeddim sɣur Wei Ting Mou and Ze Li Peng - Puyu Design d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2025

Light Field Aneflus n Wexxam n Uxeddim

sɣur Wei Ting Mou and Ze Li Peng - Puyu Design

Amsaɣ: PUYU Interior Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,330

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168886

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Light Field Aneflus n Wexxam n Uxeddim

Light Field d aneflus n uxxam n uxeddim deg Taiwan, yebna deg wemkan yellan zik d uxeddam n tqecwal n lqecc. Amkan-agi yezga ɣef swayes n 132.2 imitrat imrebbaɛ, yesseqdac-it umawal am wemkan n uxeddim akked wemkan n uskan n tegrumma n lḥwayeǧ n ttejra timeqqranin n bab-is. Abaṛ s tacekkart n L, s wini alelli lqiḥ, akked wemkan n tuɣimit s wini awraɣ, ssemgayen amkan n usenṭeḍ. Tikuffanin n lmeɛdan spliḍen s titan bḍant gar wemkan n uxeddim d wemkan n umyagar, ɣas akken ttɛawaden-d ilelli n uɣawas. Tazegzewt n texxamt s ssment yettwazelun s yiman-is akked tbaraḍin timeqqranin ssemtawent tanejmuɛt n wemkan akked tafat tanaturalit. Tibewwaḍin ikuren skecmen tikli gar imukan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Light Field Aneflus n Wexxam n Uxeddim d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Light Field Aneflus n Wexxam n Uxeddim ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Light Field Aneflus n Wexxam n Uxeddim yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: To break the rigidity of conventional office layouts, the designers adopted a 'deconstructed circulation' approach, using non-linear visual axes for a dynamic spatial experience. The reception area features a bold blue L-shaped bar as the focal point, complemented by yellow seating, balancing vitality and rationality. Titanium-plated metal cabinets subtly divide office and discussion zones, maintaining openness while ensuring privacy. Large wooden furniture pieces from the owner's collection were placed to highlight their natural textures.
Tigejdiwin & Akemmus: The space spans approximately 132.2 square meters and initially had no clear layout plan. The designers employed a 'layered' approach to organize the flow, enabling visitors to transition gradually from the open entry area to the semi-private office, and further into the exclusive collection display area. Curved archways serve as transitional mediums, showcasing smooth lines that guide visitors seamlessly through the space. This unobstructed visual guidance also enhances the overall narrative of the space.
Tibzimin: Modern Design, Color Flash Design, Artwork, Crude Wood Furniture, Curved Elements, Bright Lighting.
Tasnakta n Ufares: The project skillfully balances contrast and harmony through diverse materials. Self-leveling cement mortar flooring enhances tactile delicacy and spatial continuity, while large glass windows maximize natural light, reducing the need for artificial illumination. Dark wooden desks complement wall art, establishing a stable, layered ambiance. The color strategy follows a 'warm-cool balance' principle, where the deep blue reception bar contrasts with the natural wood-toned office area, with gray-white flooring as a neutral bridge, creating a modern yet inviting atmosphere.
Asewḥel n Usnulfu: Integrating the owner's collection of large wooden furniture with modern design posed a challenge. The designers used materials like titanium-coated metal partitions and wooden tables to harmonize the old and new. Since the furniture varied in height and form, custom curved steps were created in the discussion area to adjust the furniture to ergonomic standards. Strategic lighting was used to highlight these steps, enhancing spatial dynamics and reinforcing the interaction between the host and visitors, ensuring comfort and functionality.
Anadi: Interior design goes beyond functionality, engaging users through aesthetic narratives that reveal the space's fluidity under different lights and angles. Situated amidst open fields with a city view, the site presents an intriguing contrast. The designers embraced this by blending modern design with wooden furniture, embodying the theme of 'admiring art amidst scenic fields' the project's name, Light Field, Art View. Curved archways and a layered color scheme enhance depth, while a thoughtful lighting plan adds warmth and drama.
Aseḥbiber: Located amidst open fields, the site was once a tin sheet factory and has been carefully transformed into a workspace that balances functionality with artistic refinement. The owner, passionate about wooden artworks and contemporary design, envisioned the office as both a workspace and a gallery for their collection. The designers embraced an 'object-driven space' concept, using wood's texture, color, and form to unify the design. This approach blends traditional craftsmanship with modern architectural aesthetics, creating a space that embodies both creativity and practicality.
Tanzagt n Usenfar: The project finished in November 2024 in Taiwan.
Tanila n Umahil: The owner highly praised the outcome, recognizing that the project successfully avoided the rigidity typical of conventional offices and created a work atmosphere that is both functional and sensuous through the layering of visual and tactile elements. Furthermore, the design also took into consideration the need for multifunctional use, including areas for immediate staff interaction, private meetings, and a relaxation zone, shaping an office that adapts to various scenarios.
Igmamen n Terbaɛt: Wei-Ting Mou, Ze-Li Peng
Imsuren n Tugniwin: PUYU Interior Design