Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan sɣur Yu Ouyang

Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan sɣur Yu Ouyang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2025

Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan

sɣur Yu Ouyang

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

9,573

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #171378

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan

Tanaɣruft n “Uḥellel n Yiwtan” d axxam usligen yettwaxeddmen di Shenzhen, Ccinwa. Axxam-agi yesɛa tazemert n 150 n lmitrat imrebbaɛ, yebḍa ɣef sin n yiswiren. Ilugan iberraniyen n tafat, ittwabnan ɣef tesnulfa taqburt n uskar aceɛbani, sqedcen tafat tanaturt akken ad tessaweḍ ɣer daxel n wexxam s waṭas. Tigejda n usnernu n uɣawel akked uneggaz n uskaliyu yettwabnan seg tikkelt tamezwarut ttɛawanen ɣef uzuɣer aleqqaq s ubrid asawan, ttḥarben deg leqder n ttawil n tɣerɣert. Tiddiwin n lmubilya, ilugan n uskaliyu akked tewsatin n uzuɣer d ayen yettwaxeddmen s telqey. Aselkim-agi yesdukkel gar tigemmi n wemkan Asherqi akked yilugan usnifayen Aɣarbi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Awakening of Insects Aḥwaǧeb n Wexxamen Agejdan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Emphasizedinnovation in daylight optimization("light-permeable materials", "deep natural light penetration")
Highlighteduser-centric circulation("streamlined structural planning", "smoother vertical circulation")
Stressedcultural hybridity("East-meets-West elements", "cross-cultural dialogue")
Balancedtechnical precision("proportional dialogue", "topological refinements") withemotional resonance("poetic, culturally resonant habitats")
Tigejdiwin & Akemmus: The building has a gross floor area of 150 square meters and is divided into two levels.
Tibzimin: Private Residence Design, Retro Style, Eclecticism, Home Furnishings, Residence
Tasnakta n Ufares: This project incorporates specially customized elements across material selection, dimensional specifications, and stylistic treatments to ensure optimal adaptation to the spatial requirements. Key components such as the configuration of staircases, dimensions of furniture, and patterns and proportions of decorative artwork are meticulously tailored to harmonize with the architectural environment.
Asewḥel n Usnulfu: This project involves the construction of a post-installed floor slab, where determining the compatibility between structural configuration, elevation positioning, functional requirements, and spatial perception presents a significant challenge. During the slab construction process, it is critical to maximize spatial ceiling height while integrating lighting systems, water supply pipes, and sewage drainage pipelines. These installations must be meticulously planned during the structural renovation phase. Additionally, comprehensive coordination of detailed specifications—including slab formwork design, material selection, and utility routing—must be finalized during preliminary planning stages to ensure seamless execution and optimal spatial performance.
Anadi: This project aims to explore the integration of design languages across diverse cultural contexts and historical eras within the Chinese context. While there is a growing preference among young Chinese for retro aesthetics, particularly French-inspired styles, our design philosophy prioritizes a contemporary exploration rooted in China's current cultural landscape. By seamlessly integrating modern design principles with traditional Chinese cultural elements and drawing on the strengths of Western influences, we seek to develop a cohesive design language that resonates with China's unique sociocultural identity and spatial narratives.
Aseḥbiber: This project draws inspiration from the interplay between cultural heritage and technological innovation. Motivated by the need to revitalize traditional craftsmanship in contemporary contexts, the design reinterprets regional spatial paradigms through modern structural logic. The spatial narrative emerges from reconciling dualities: light permeability informed by vernacular latticework, fluid circulation reimagining ceremonial pathways, and material dialogues bridging artisan techniques with parametric precision. By synthesizing Eastern spatial hierarchy with Western tectonic principles, the scheme transforms functional constraints into poetic spatial experiences, proposing cross-cultural sustainability for urban dwellings.
Tanzagt n Usenfar: The project commenced in Shenzhen, China in August 2023 and concluded in November 2024.
Imsuren n Tugniwin: Picture 1-5:Photographer KaiFeng Zhu 2025