Terra Asaru awezlan yettwaseklen s ufus sɣur Hugo Ferreira

Terra Asaru awezlan yettwaseklen s ufus sɣur Hugo Ferreira d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ Aselkiman, Asnulfu 3D, Aɣummu d Usiẓreg.

LfeṭṭaUnuɣ Aselkiman· 2025

Terra Asaru awezlan yettwaseklen s ufus

sɣur Hugo Ferreira

Amsaɣ: Okdraw

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ Aselkiman

4,538

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #172997

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Terra Asaru awezlan yettwaseklen s ufus

Terra d asaru awezlan yettwaseklen ideg aɣebbar, tazayert akked truka i d-yeǧǧa umdan i d isental igejdanen. Asaru yettdum azal n xemsa n tesdatin, isseqdac assaɣ n tugna 2.35:1, yerna yebna ɣef teẓrigt n uẓawan E2 n tarbaɛt Muay. Terra yettwaqeddem d asfugel i tmesdagt, i tetiknulujit, i usinima n tesnukyest tussnant akked uẓawan. Amahil-a yettwaxdem s 3ds Max akked Corona Renderer, ma d tuddsa d useggem n yiniten ttwaxedmen s yiseɣẓanen n Adobe. Askel, amahil n tkamirat akked tafat xedmen-ten s ufus, ma d imyugaren, tiferɣiwin akked yiceqfan ttwaskelsen s yizegrira. Talɣiwin tibrutalistin i yesswalan abrid n tmuɣli tunẓift.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Terra Asaru awezlan yettwaseklen s ufus d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Terra Asaru awezlan yettwaseklen s ufus ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Terra is a short animation film, based on a what if kind of story, where, dust, gravity, and man made ruins are the protagonists.
Terra was written for the music E 2 of the band Muay - a music written inicialy for the live Soundtrack for the movie Earth (Terra), of Aleksandr Dovzhenko.
Terra attempts to be an honest homage to architecture, technology, sci-fi movies, and music.
Tigejdiwin & Akemmus: Length: 5.20 min
Type of film: CG Animation
Aspect Ratio: 2.35:1
Music: E2 by Muay
Tibzimin: music, video, short film, brutalism
Tasnakta n Ufares: We wanted to implement as much of our daily work flow as possible, so our setup did not deviate much from the industry standard. We used 3ds Max with Corona Renderer, and
Adobe After Effects and Premiere for editing and color correction.
Our approach was straightforward, with us solving problems as we encountered them and
embracing limitations as part of the creative process. We were more concerned with the results than with realistic physics – if it looked good, me would move on. All the animation, camera work, and lighting were done by hand. The only exceptions were the rock collisions, explosions, and cracks, for which we used the Phoenix FD plugin and tyFlow to simulate various effects.
Asewḥel n Usnulfu: Curiously enough, the most difficult part was probably working free from the constraints of a client: with endless possibilities, it is hard to establish boundaries. Between the music, story, and visuals, it was not easy to strike the right balance. Occasionally, we went too far while experimenting and had to dial it down a notch.
Anadi: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism.As we were not used to work with this aesthetic, we submerged ourselves in movies like 'The
Tragedy of Macbeth, Lighthouse, and Sin City. We also consulted the photography of Saul Leiter
and Sebasião Salgado. All of these references helped us to understand how, in the absence of
color, we can use contrast as a shaping, and eye-guiding tool. Consequently, lighting direction,
camera movement, and post-production went hand in hand at all times.
Aseḥbiber: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism. Examples:
Tanzagt n Usenfar: This project started in August 2022 and was finished in February 2023. Was writen, directed and produce on our studio, with the help of Rebus Farm.
Tanila n Umahil: Watch it and listen to it.
Ibrivan: Copyrights belong to Okdraw, 2025.
Imsuren n Tugniwin: Written, Directed and Produced by: Okdraw
Music by: Muay