Sacred Blessing Asbeddi n Tẓuri sɣur Ching Ke Lin

Sacred Blessing Asbeddi n Tẓuri sɣur Ching Ke Lin d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

LfeṭṭaTaẓuri Tafessast· 2026

Sacred Blessing Asbeddi n Tẓuri

sɣur Ching Ke Lin

Amsaɣ: The Beigang Wude Temple

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Taẓuri Tafessast

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #173320

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Sacred Blessing Asbeddi n Tẓuri

Sacred Blessing d asbeddi n tẓuri yettwaxedmen i yiwen wadeg, i yiwen n lǧameɛ n usɣan di Taiwan. Axeddim-a yettarra isekkiren n tẓallit n lǧameɛ ɣer talɣa tatrart n tallunt. Talɣa-s tettban am ifassen yeldin, tekka-d ɣef azal n 5200 mm n teɣzi. Iferdisen n usɣar yettwaseggmen ttemyeqqanen s usdukkel iṣeḥḥan yemsekcamen gar-asen, s kra kan n imeqqanen. Yettwaxdem s usɣar d uɣanim i wakken ad yili d win yettdumun, yerna ad yesɛu udem agaman d icebḥen. Inebgawen zemren ad kecmen ɣer daxel n yifassen, anda ten-id-zzin tira yettwaɣezzan deg usɣar. Asbeddi-a yessawal ɣer uxemmem s talwit ɣef liman d tgemmi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Sacred Blessing Asbeddi n Tẓuri d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Sacred Blessing Asbeddi n Tẓuri ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This installation distinguishes itself through its integration of bamboo craftsmanship and architectural form, reimagining traditional Taiwanese temple aesthetics within a contemporary spatial narrative. By transforming blessings into a tactile, immersive structure, it evokes a sacred atmosphere while inviting reflection on the interplay between devotion, culture, and modernity.
Tigejdiwin & Akemmus: Approximate dimensions: Width 2500 mm x Depth 2500 mm x Height 5200 mm.
Tibzimin: Wood structure, installation art, cultural heritage, stacking construction, contemporary sculpture, spatial art, sustainable materials, architectural installation, ritual symbolism, spiritual experience
Tasnakta n Ufares: Constructed using modular timber units, the installation employs precise joinery and interlocking assembly techniques. The absence of excessive fasteners emphasizes clean lines and allows for structural adaptability. Natural materials such as wood and bamboo are selected not only for sustainability but also to enhance the organic visual language and spiritual resonance of the piece.
Asewḥel n Usnulfu: The key challenge was aligning monumental contemporary aesthetics with sacred, historical context. Respecting religious symbolism while innovating form required deep cultural sensitivity. Material constraints in large-scale wood construction, safety regulations in temple grounds, and balancing open access with spiritual solemnity were overcome through iterative design and stakeholder consultation.
Anadi: This site-specific project explores how spatial art can elevate spiritual experiences in sacred environments. The objective was to materialize prayer and faith into a sensory encounter. Methods included ethnographic observation, dialogue with temple communities, and on-site prototyping. Visitors' emotional responses were studied to refine the immersive design. Results indicate a heightened engagement with traditional rituals through contemporary reinterpretation. The project illustrates how art can revitalize intangible heritage and foster cultural continuity.
Aseḥbiber: Rooted in the spiritual rituals of Taiwanese temples, this installation translates intangible prayers into material form through traditional weaving. It draws from collective cultural memory and seeks to evoke the impermanence and beauty of faith. By reinterpreting religious symbolism through contemporary design, the work becomes a bridge between heritage and the evolving spiritual experience.
Tanzagt n Usenfar: The project 祈福(Blessing) was developed and installed at Beigang Wude Temple, Taiwan. The public exhibition began prior to February 2025 and is scheduled to conclude on June 30, 2025.
Tanila n Umahil: Visitors are invited to enter the sculpture—shaped like open, welcoming hands—where engraved wooden scripts surround them with silent prayers. The physical experience of stepping into the hands transforms passive observation into active participation, encouraging a deeper personal reflection and spiritual intimacy.