Transition Afeṣṣel n Temɛerḍit sɣur Shuhei Matsuyama d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta n Uskan Azenzal, Igensawen d Uskan.
LfeṭṭaAskan Azenzal· 2026
Transition Afeṣṣel n Temɛerḍit
sɣur Shuhei Matsuyama
Amsaɣ: enigma Inc.
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Askan Azenzal
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #175014Afeṣṣel
Ɣef Transition Afeṣṣel n Temɛerḍit
Transition d tamesbanit n ijeǧǧigen i d-yesseknayen ikebana, taẓuri tajapunit n usuddes n ijeǧǧigen, deg yiwen n wadeg atrar. Aɣawas yeldin ur yesɛi ara aɣrab n deffir, ihi inerza leḥḥun s tlelli yerna ttwalin yal asuddes seg waṭas n tmuɣliwin, mačči kan si zdat. Tafat tagamant n yiṭij akked tafat yettbeddilen ttbeddilent deg wass kamel, dɣa adeg akked yijeǧǧigen iddren ttbeddilen war aḥbas. Isebdaden imecṭaḥ imsedduren ttwaxedmen s usiggez s kraḍ n tsektiwin seg uṛiẓin i yezmer ad yettwales useqdec, yerna zemren ad ttufeṣṣlen akken ad ttwaselsen tikkelt-nniḍen. Agens yemsawan, war tisekkarin, yettaǧǧa tamesbanit teldi i yinerza meṛṛa.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Transition Afeṣṣel n Temɛerḍit d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Transition Afeṣṣel n Temɛerḍit ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
- Tigejdiwin & Akemmus
- Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility. - Tibzimin
- Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
- Tasnakta n Ufares
- The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
- Asewḥel n Usnulfu
- Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
- Anadi
- In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
- Aseḥbiber
- Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
- Tanzagt n Usenfar
- The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
- Tanila n Umahil
- Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
- Ibrivan
- Copyrights belong to Ikenobo Society of Floral Art, 2025.
- Igmamen n Terbaɛt
- Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto - Imsuren n Tugniwin
- Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.
Yettwaxellṣen
Snirem Seld Designers.org
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