Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ sɣur Yun Khong Chia

Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ sɣur Yun Khong Chia d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2026

Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ

sɣur Yun Khong Chia

Amsaɣ: Design Gallery Sdn Bhd

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

7,934

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #175058

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ

Golden Era d tazeqqa n uznuzu n yiqecwalen n wuṛeɣ i yellan di Sabah, di Malizya. Talɣa-ines tekka-d seg tzeqwin n yimuzyuman, tessedduy inebgawen deg webrid yers yerna yettwaseggem. Tafat s tissiwin tettwaseqdac iwakken ad d-tessebrurez yal asken, ad ternu i lebriq n yiqecwalen. Deg wallalen i yettwasqedcen: tiferkiyin n ukeccuḍ yettwaselɣen, uzzal ur nesseddid s ufakul n wuṛeɣ, inagrawen n uskan n djaj akked yiɣerfan leggaɣen s uḍris. Anagraw n tuqqna s yiḥricen yettwabḍan yettmuddu tanaẓi deg ufares, asebded fessusen akked usellek isehlen. Timeddurt yeldin tettwasdukel akked tamnaḍin n uskan yettwasbadun iwakken ad yili lmizan gar talwit d tɣellist.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Golden Era Aseɣwes n daxel n tḥanut n yiqecwalen n wuṛeɣ yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This design stands out with its gallery-inspired layout, creating a refined retail journey that highlights craftsmanship and elegance. Custom lighting enhances each display, while rich textures and premium finishes evoke luxury. The design balances openness with security, offering an intimate yet elevated shopping experience that redefines jewelry retail in Sabah. Its cultural subtlety, modern detailing, and spatial precision reflect both artistry and purpose.
Tigejdiwin & Akemmus: Constructed with a modular joinery system using laminated plywood panels, stainless steel elements in gold finish, and selected feature boards for contrast. The façade integrates lightbox signage, concealed LED strip lighting, and glass display systems to enhance product visibility. U-channel trims articulate the geometry while maintaining clean detailing. Fabrication emphasizes precision, prefabrication, and ease of installation, with coordinated electrical routing and lighting integration to ensure consistency, durability, and efficient maintenance.
Tibzimin: Luxury retail design, jewelry store interior, modern gallery concept, bespoke lighting, Sabah design, glass, premium materials, spatial flow, cultural elegance
Tasnakta n Ufares: The design was developed through a user-focused approach, combining spatial zoning with sensory design techniques. High-quality materials like brushed metal, glass, and velvet textures were selected for their visual and tactile richness. Precision lighting was layered to enhance brilliance and depth. 3D modeling and iterative prototyping ensured accurate spatial flow, display ergonomics, and optimal customer experience.
Asewḥel n Usnulfu: The biggest challenge was balancing high-end aesthetics with practical retail needs. We had to design a luxurious space that also ensured security, staff efficiency, and customer comfort. Limited space, local building codes, and material sourcing in Sabah were external hurdles. Internally, creating a modern identity while respecting cultural expectations was key. We overcame this by testing layouts, customizing materials, and refining every detail through hands-on mockups and client feedback.
Anadi: We focused on design research to create a truly luxurious ambiance. Our objective was to understand what makes a space feel premium, secure, and emotionally engaging. We studied high-end retail environments, customer behavior, and luxury hospitality spaces. The results revealed that understated elegance, warm lighting, and tactile materials create a lasting impression. This research led to a refined design that enhances brand perception, encourages longer visits, and sets a new benchmark for luxury retail in Sabah.
Aseḥbiber: Inspired by the timeless allure of gold and the elegance of fine jewelry, the design aims to elevate the retail experience into one of curated sophistication. The concept draws from museum galleries and Sabah’s rich cultural artistry, merging tradition with modern luxury. Research into lighting psychology, spatial flow, and material tactility informed a design that not only showcases jewelry but tells a story of heritage, trust, and refined taste.
Tanzagt n Usenfar: The designing of the project started in November 2024; Renovation is completed by end of April 2025.
Tanila n Umahil: It is designed to guide customers effortlessly through the space, creating a calm and elegant journey. Lighting draws attention to each jewelry piece, while the layout encourages natural flow and close interaction. Display cases are placed for comfort and visibility, making browsing feel personal and exclusive. The design helps customers feel secure, valued, and inspired-enhancing trust and making the experience more memorable and enjoyable.
Ibrivan: -
Igmamen n Terbaɛt: -
Imsuren n Tugniwin: Photographer Credits: AP Production Sabah