Cest Lavie Gallery Asemli n Daxel Anezzan sɣur Mto & Hwcd d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.
DdhebAgensu· 2026
Cest Lavie Gallery Asemli n Daxel Anezzan
sɣur Mto & Hwcd
Amsaɣ: Mto & Hwcd
Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #177038Afeṣṣel
Ɣef Cest Lavie Gallery Asemli n Daxel Anezzan
Cest Lavie Gallery d asemli n daxel i yiwen n unadi n tudert d tẓuri deg Chengdu, di Ccinwa. Tallunt-a tessawaḍ 3.800 n lmitrat imkuẓen, tettabaɛ udem n sser aluḥci. Beṭṭu n twuriwin yessefruri iḥricen n umyannaɣ s udem afransis, iḥricen n uskan n tẓuri tafrikant, akked iḥricen n usteɛfu, ayen yettaǧǧan tikli tashilt gar tallunin tusligin d tid tizuyaz. Isufar seg-sen tafraṭ n usɣar, adɣaɣ, adjaj aẓuran, aldun, akked yiceṭṭiḍen d-yekkan si berra. Iyaguren izeggaɣen imezgiyen i twennaṭ yettwaheggan s wudem uslig akked ucɛef amguran rennun anecraḥ deg unalmus. Tignatin tigamanin akked tafat ttawint abrid n unerzaf.
Asmekti
Ɣef Tarbaḥt A' Design Award n Ddheb
Cest Lavie Gallery Asemli n Daxel Anezzan d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Cest Lavie Gallery Asemli n Daxel Anezzan ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
- Tigejdiwin & Akemmus
- The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
- Tibzimin
- Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
- Tasnakta n Ufares
- The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
- Asewḥel n Usnulfu
- The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
- Anadi
- This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
- Aseḥbiber
- The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
- Tanzagt n Usenfar
- The project started in May 2025 and finished in August 2025 in China.
- Tanila n Umahil
- The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
- Imsuren n Tugniwin
- Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
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