Between Force And Stillness Amselket Azayez sɣur Yuan Zhuang

Between Force And Stillness Amselket Azayez sɣur Yuan Zhuang d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

UzzalTaẓuri Tafessast· 2026

Between Force And Stillness Amselket Azayez

sɣur Yuan Zhuang

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Taẓuri Tafessast

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #179136

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Between Force And Stillness Amselket Azayez

Between Force and Stillness d amselket azayez yettwaxedmen i wammas aɣelnaw n tennis di Beijing, Ccinwa. Axeddim-agi yesskan talɣa n tennis s 24 n yiferdisen s talɣa n tikurin yettwafernen ɣef ugejdur asawlan, yettmuddun asnas n unagraw agaman akked wakud yettuɣalen. Tasuddest-agi tettwakkes-d seg tikta n Daoisme, anda tanhawt akked tsusmi ttwafehment-d am wayen yettemcuddun gar-asent. Ttwasqedcen wallalen imxelḍen, gar-asen fiberglass, marbri, ṣṣbeɣ n tkeṛṛusin i iqablen lḥala n yigenni akked tafat. Lebni s uzenzeɣ yettaǧǧa asifeḍ akked usemlili weḥd-sen deg wemkan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Between Force And Stillness Amselket Azayez d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Between Force And Stillness Amselket Azayez ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Created for the China National Tennis Center 2024, this sculpture interprets a tennis form through 24 spheres that evoke natural rhythm and cyclical time. “Force and Stillness” explores the dialectic between motion and quiet, echoing Chinese philosophy on dynamic force and balanced calm. It presents a fusion of modern competition and ancient wisdom, offering a cultural tribute within an international sports setting.
Tigejdiwin & Akemmus: Work Type: Physical Sculpture

Overall Dimensions:
Height: 2500 mm × Base: 1500 mm × 1500 mm

Components:
A total of 24 tennis ball–shaped units, arranged along a vertical axis

Year: 2024

Materials:
Mixed media (fiberglass, automotive paint, marble, LED lighting, etc.)

Structural & Technical Features:
Vertical structural design emphasizing visual tension and rhythmic composition

The base provides stable support, suitable for indoor or semi-outdoor display

Modular construction for ease of transportation, installation, and maintenance

Packaging & Transportation:
The artwork is transported using customized protective packaging. The spherical units and main structure can be shipped separately, with final assembly and calibration carried out on-site to reduce transportation risk and improve installation efficiency.
Tibzimin: Public Sculpture, Abstract Sculpture, Art Sculpture, Art Installation
Tasnakta n Ufares: Mixed media including marble fiberglass and weather resistant metal automotive paint suitable for outdoor use.
Asewḥel n Usnulfu: The key challenge was translating abstract Daoist concepts into a public art form that could be intuitively understood within a fast paced sports environment. The project needed to balance expressive form with structural safety weather resistance and efficient installation while remaining clear and engaging for diverse international audiences.
Anadi: The project investigates site oriented public art within a national level sports venue during an international tennis event. Through site observation pedestrian flow analysis and material testing it explores how public art can support spatial identification cultural communication and emotional guidance for large scale audiences. Drawing from Daoist philosophy the study translates the balance of movement and stillness into a modular sculptural system suitable for long term public display.
Aseḥbiber: The inspiration for “FORCE AND STILLNESS” comes from the Dao De Jing, which sees movement and stillness as mutually dependent forces. Movement conveys change and energy, while stillness offers balance and calm, and their harmony reflects the order of nature. The 24 spheres symbolize natural rhythm and cyclical time. Through a static tennis form, the work expresses this motion,quiet dialectic and connects the dynamic spirit of a tennis event with China’s enduring cultural heritage.
Tanzagt n Usenfar: Core Area of Beijing Olympic Park, China
Tanila n Umahil: Visitors experience the sculpture through movement and pause as they approach walk around and observe it from multiple distances. The work guides emotional rhythm within the space rather than requiring direct interaction.
Igmamen n Terbaɛt: Yuan Zhuang