Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat sɣur Daisuke Nagatomo and Minnie Jan d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Isenfaren n Tafat d Teẓuri n Tafat.
LbrunzIsenfaren n Tafat· 2026
Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat
sɣur Daisuke Nagatomo and Minnie Jan
Amsaɣ: MisoSoupDesign
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Isenfaren n Tafat
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #180159Afeṣṣel
Ɣef Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat
Arrival d asbeddi n tafat askudan yebnan seg sin ikuntinaren n usiweḍ i d-yettwaselken, yersen yiwen ɣef wayeḍ s teɣzi. Ikuntinaren-agi ttaken-d abrid uqqiḍ ideg zemren yemdanen ad lḥun, s wudmawen n wuzzal iknan i d-yettwasnulfan seg wudem n lbabur mi ara ikcem ɣer lminan. Timrayin yellan di snat n tama ttarrant-d tamdint, ilel, akked yinerza, dɣa smesxent tilisa gar wadeg n tidet d uɛekkis. Tafat n LED yeddan deg-s akked unagraw n wagu sekkren abrid-agi deg wakud n tmeddit. Arrival yeskan-d amek izemren yiferdisen n tmguri yettwaǧǧan ad uɣalen d tawsit n tẓuri tazayezt ideg zemren yemdanen ad kecmen ad tt-idren.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Arrival Taẓrigt n Tẓuri, Asbeddi n Tafat yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
- Tigejdiwin & Akemmus
- The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
- Tibzimin
- nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
- Tasnakta n Ufares
- The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
- Asewḥel n Usnulfu
- The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
- Anadi
- ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
- Aseḥbiber
- The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
- Tanzagt n Usenfar
- Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation) - Tanila n Umahil
- Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
- Igmamen n Terbaɛt
- Jenny Yeh, Sugar Hu
- Imsuren n Tugniwin
- Kaohsiung Art Museum
Yettwaxellṣen
Snirem Seld Designers.org
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