Echo Oriental Tazrigt n uskan sɣur Xiyao Wang

Echo Oriental Tazrigt n uskan sɣur Xiyao Wang d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2026

Echo Oriental Tazrigt n uskan

sɣur Xiyao Wang

Amsaɣ: Extended Play Lab

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

14,872

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #181303

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Echo Oriental Tazrigt n uskan

Echo Oriental yessuqqel-ed tussna n umadal aqbur n Ccinwa s wallen n tsekla tatrart. Tallunt tanammast n ṭṭabla n ramel s snat n tehri d ul n usenfaṛ, tettuḥaz seddaw n usqef amaynut n igenni i d-yemmalen igenni sennig n uḥeṭṭu uklil. Asqef awuraɣ isem-is s tira n uweṛ yernan tazedganin i uḍad, ma d agrud n rrxam azegzaw d wesɣar aḥmayan ttfakan yiwen n umyager n imenzayen. Aḥerrek n tallunt yesseqdac tussda d usellek akken ad iɣer inerzaf s uzelmaḍ imezwer n tibbura.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Echo Oriental Tazrigt n uskan d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Echo Oriental Tazrigt n uskan ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Echo Oriental is a 400sqm exhibition center that redefines spatial ritual through a rigorous intersection of North-South and East-West axes. It distinguishes itself by seamlessly integrating traditional Chinese cosmology - the "Tian Yuan Di Fang" (Round Sky, Square Earth) concept - within a contemporary neo-luxury aesthetic. Unique features include a double-height sand table area under a celestial light and a golden vaulted ceiling with leaf embossing, creating a high-quality sensory dialogue.
Tigejdiwin & Akemmus: 400 square meters area. Single floor.
Tibzimin: Exhibition Design, Sales Office, Oriental Aesthetics, Tian Yuan Di Fang, Axial Symmetry, Neo-Luxury, Botanical Motif, Green Marble, Architectural Ritual, Longgang, Spatial Narrative, Interior Design.
Tasnakta n Ufares: Conceived through hand sketch, perfected in Rhino 3D and rendered with Enscape and Photoshop
Asewḥel n Usnulfu: The primary challenge was manifesting a grand, ceremonial architectural ritual within a compact 400sqm footprint. Overcoming this required precise axial planning to resolve complex circulation patterns without sacrificing the sense of scale. Realizing the golden vaulted ceiling with leaf embossing involved a technical balance between artisanal textures and modern production. The project successfully navigated the obstacle of blending historic cosmology with current luxury market demands.
Anadi: This project utilized Applied Spatial Psychology and Cultural Semiotics research to redefine real estate exhibition standards. Objectives focused on balancing ritualistic ceremonial order with botanical fluidity. Methodology involved Axial Mapping and Comparative Materiality studies. Data was collected via site-specific environmental analysis and historical research into "Tian Yuan Di Fang" cosmology. Participants included local design stakeholders and potential residents. Results showed a high-efficiency circulation flow that significantly reduced visitor fatigue. Insights reveal that "spatial compression and release" triggers emotional engagement. This research impacts the industry by demonstrating that design-driven cultural storytelling directly increases commercial perceived value and social community pride.
Aseḥbiber: The design is inspired by the organic fluidity of the adjacent Taihu Park, translating botanical motifs into architectural curves. Motivated by the tension between heritage and modernity, the project explores the "Echo" of ancient Oriental philosophy - specifically the harmony of the circle and square - within a high-end commercial context. Research into "spatial compression and release" informs the transition from intimate, deep corridors to expansive, light-filled grand halls.
Tanzagt n Usenfar: Project finished in February 2026, and is located in Longgang, Wenzhou, China
Tanila n Umahil: The project operates through a progressive "step-by-step" ritualistic flow. Visitors interact with the space via a series of thresholds: from a high-contrast entry lobby to a monumental central core. The spatial interaction is defined by rhythm—alternating between the compression of deep, shaded corridors and the release of the bright, green-marble hall. Strategic "scenic openings" in VIP areas facilitate visual porosity, allowing the narrative of nature to permeate every interaction.
Igmamen n Terbaɛt: Xiyao Wang
Imsuren n Tugniwin: All Renderings by Xiyao Wang