Plus 81 Lbar, Aɣerbaz n yiḍ sɣur Takahiro Todoroki

Plus 81 Lbar, Aɣerbaz n yiḍ sɣur Takahiro Todoroki d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2026

Plus 81 Lbar, Aɣerbaz n yiḍ

sɣur Takahiro Todoroki

Amsaɣ: Engine, Inc

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

6,585

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #183476

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Plus 81 Lbar, Aɣerbaz n yiḍ

Plus 81 d agensu n lbar akked uɣerbaz n yiḍ yellan deg yiwet n tḥanut tameqqrant iqedmen. Udem-is n beṛṛa yettcabi ɣer yiwen n umkan n lebni aɛeddan yettwaɣummen s leǧwaṛnan ijapuniyen, ma d tawwurt n unekcum teffer deffir n tḥanut n tfiguṛin, ayen i d-yesnulfuyen aɛeddi s leɛqel ɣer daxel. Lbar alemmas d netta i d azaduɣ n useggem, ma d tamnaḍin i s-d-yezzin ttaǧǧant učči, imukan n usteɛfu, karaoke akked tmeɣṛiwin tusligin. Ssqef s talɣa n uzeṭṭa s tafat RGB yerra-d awal i teɣzi taddayt n ssqef yerna yerna-d anya i wallen. Ger yimuren yettwasqedcen: uzzal yettwaɣummen s zzenk, lemri yettwaqecṛen akked ugensa n lqaɛa s ṛṛizin i ɣef uran s tira tunṣibt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Plus 81 Lbar, Aɣerbaz n yiḍ d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Plus 81 Lbar, Aɣerbaz n yiḍ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Plus 81 Lbar, Aɣerbaz n yiḍ yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Tigejdiwin & Akemmus: Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Tibzimin: Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Tasnakta n Ufares: The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Asewḥel n Usnulfu: The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Anadi: This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Aseḥbiber: The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Tanzagt n Usenfar: This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Tanila n Umahil: The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Imsuren n Tugniwin: Photographer : Katsumi Hirabayashi