Ɛeddi ɣer ugbur
Square Taqburt n tewwurt sɣur Xenofon Hector Grigorelis

Square Taqburt n tewwurt sɣur Xenofon Hector Grigorelis d anerbaz yettwaqadren meqqren n 2016 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Isegbaren n Iferrasen, Ifecka d Igemman.


LfeṭṭaAsegbar n Ufersas· 2016

Square Taqburt n tewwurt

sɣur Xenofon Hector Grigorelis

Amsaɣ: Grigorelis Xenofon Hector

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Asegbar n Ufersas

36,405

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #45110

Initen

Afeṣṣel

Ɣef Square Taqburt n tewwurt

Asdukkul d usxallef n yizirigen, talɣiwin d leḥjumen yettaken-aɣ-d agmuḍ aneggar n tqebburt-a. Tesɛa izirigen iṣefqen, n tulust tesnukyant i d-yusman i yal axxam n tura. D taɣawsa n yal ass i d-yettwalifen seg tmuɣli n usɣan. Iswi d askan n wamek ilaq talɣiwin n berra ad kecment ɣer tallunt tagensant s waya i tt-rrent tazegzawt d tanamekt. Agni d timerna n kra n wayen amaynut, n wass-a d atrari i yezmer ad isseǧhed aneɣlay seg tikelt tamezwarut. Tamiḍent tassartayt taneggaru n tqebburt-a d aseqdec-is asnaɣman akked tneḍka-s d yini-s.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Square Taqburt n tewwurt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Square Taqburt n tewwurt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The shape and the form of lines the combination of volumes and also the way is mixed to each junction give us the final result of the handle.
It has net, strict lines suitable for every contemporary house.
Its an object from an architectural perspective which is how I perceive things around me and how the external forms should access the interior space.
Tigejdiwin & Akemmus
The entire range follow EU- Norms.
Tibzimin
Door handle, architecture , interior design, door, design,ergonomics
Tasnakta n Ufares
The handle was digitally designed using cad & 3d modeling software.
It can be produced in silver, golden, bronze mat or polished or any other range of colors.
Asewḥel n Usnulfu
There was a challenge to create something fresh, contemporary and modern that will make the buyer excited from the first sight.
Anadi
The shape was clearly squared in my mind from the beginning.
A greatest approach was given to the ergonomic use of it and of course on the texture and its color.
Aseḥbiber
The first idea for designing a handle, came to me when i visited Salone del Mobile in Milan last year. Specifically the showroom of "OLIVARI" company which is the best in this field and impressed me at once.
I thought that it is a very common and pracrtical object in daily life.
I have a special love into he Bauhaus movement so I've been inspired by that, and started drawing mostly in a square shape.
Tanzagt n Usenfar
This project is in a concept stage & has not been prototyped or constructed. The concept work started in Decemder of 2015 & ended in end of January 2016.
Tanila n Umahil
The shape of the handle facilitates our human motion sequences.
Ibrivan
Copyrights: Xenofon - Hector Grigorelis 2016.
Igmamen n Terbaɛt
Xenofon - Hector Grigorelis
Imsuren n Tugniwin
Xenofon - Hector Grigorelis

Yettwaxellṣen

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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