Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent sɣur Lu Hao and Chen Jian - GOA

Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent sɣur Lu Hao and Chen Jian - GOA d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

DdhebTansekta· 2020

Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent

sɣur Lu Hao and Chen Jian - GOA

Amsaɣ: GOA (Group of Architects）

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tansekta

26,266

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88320

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent

Fengqi Chang'an Aesthetics Museum d lebni n temsikent i yellan di Chang'an, di Tempirit n Ccinwa. Aɣawas-is yekka-d si tegnawt, si tebḥirin tiqburin n Ccinwa akked tugniwin n imedyazen n wakal. Iḥedran isɛeddayen n tuget yemgaraden mlalen-d akked ifragen d tzeqqiwin yeldin iwakken ad d-ssalin tallunt n tebḥirt yettkemmilen yerna yesehlen. Yal afrag yesɛa lmeɛna-s, am uskan, taywalt, axemmem neɣ armud, yerna iberdan izegren mlalen gar-asen. Udmawen n djaj, tiwwura tihrawanin akked yisqifen imeqqranen yeffɣen ɣer beṛṛa ssalayen-d akatar yemsudden. Lebni yeṭṭef 6.400 n lmitrat imkeṛṛaɛen ɣef wemkan n 16.000 n lmitrat imkeṛṛaɛen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Fengqi Chang’an Aesthetics Museum Azadaɣ n Temsikent ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Through the combo of different sizes of functional forms, architects combine various courtyards and inlay the elements of verandas to create a continuous, flexible and rich garden space.Besides of the usage for exhibition, the building takes the experience of visitors in the garden into account. The courtyards are set up according to various functions, including the ones for display, communication, meditation, activities and etc., which are blended with each other through crisscrossed corridors
Tigejdiwin & Akemmus: the project is with a building scale of 6,400 square meters and an area of 16,000 square meters
Tibzimin: nature, gentle, traditional courtyards, visiting experience, large size of overhanging eave
Tasnakta n Ufares: Extensive application of glass, large span of door leaf and large size of overhanging eave blend together, forming a continuous and orderly frame.
With well-proportioned shapes, volumes of different sizes and orderly layout, the building meets various functional demands.
Asewḥel n Usnulfu: This project is located in Yanta District of Xi’an, China, which is an ancient capital with a time-honored history and rich cultural heritage. The purpose of the design is to integrate the building into a modern living space and activity function on the premise of respecting the traditional garden spatial relationship.
Anadi: Inspired by nature, traditional Chinese gardens and landscape paintings focus on mountains, forests, wind and water with flexible layout, as well as characteristics such as the reality and unreality, opening and closing, twists and turns, high and low, etc.. Through the combo of different sizes of functional forms, architects combine various courtyards and inlay the elements of verandas to create a continuous, flexible and rich garden space.
Aseḥbiber: This project is inspired by nature, traditional Chinese gardens and landscape paintings focus on mountains, forests, wind and water with flexible layout, as well as characteristics such as the reality and unreality, opening and closing, twists and turns, high and low, etc..
Tanzagt n Usenfar: The project started design in April 2019 in Chang'an in China, and wished to be finished in 2021.
Tanila n Umahil: Besides of the usage for exhibition, the building also takes the experience of visitors in the garden into account. The courtyards are set up according to various functions, including the ones for display, communication, meditation, activities and etc., which are blended with each other through crisscrossed corridors. Extensive application of glass, large span of door leaf and large size of overhanging eave blend together, forming a continuous and orderly frame. With well-proportioned shapes, volumes of different sizes and orderly layout, the building meets various functional demands.
Imsuren n Tugniwin: all the copyright reserved by GOA