The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet sɣur Ming Jr Li

The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet sɣur Ming Jr Li d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2020

The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet

sɣur Ming Jr Li

Amsaɣ: Moreland Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

7,283

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88456

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet

Angle d aselkin n ugensu i yettwaxedmen i wemkan n uqeddec n imsaɣen n uḍris n uraren n bidyu deg Taiwan. Izirig ifessasen n tergalt akked ilugan yemxelḍen ttɛawanen deg usnulfu n wemkan. Tiftilin n uhexagon ttwazuɣren s yisɣan ur nettwaliɣ, ihi tiftilin banent am akken ttferfirent deg ugu. Talɣa n tiftilin tekkat i talɣa n rebɛa iɣellifen ur nettuɣalen ara i yellan ɣef tejmilt n unafag. Tiragalin timeẓẓyanin d tiragalin s talɣa n “Y” am ttjur beddlent tiragalin timerkantiyin, akked yiḥajiben iwezlanen i yettaǧǧan tabaḍnit d umyeqqan gar imdanen. Adaf n ukerkur n wesɣar s tqacuct tefsi akked yijdaren s tesbeɣt n wesɣar ttarran amkan aserwan, war tiḥuffar, iban-d am akken d ameqqran akteṛ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. The Angle Aselkin n Ugensu n Tesnalɣa n Ukabinet yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: When walking into the office, the highlight is the hexagon pendant lights. Suspended by invisible hanging wire, these hexagon pendant lights look like floating nimbus's in the air. In addition to highlighting the geometric beauty of the room, it also corresponds to the irregular quadrilaterals of the counter-top. To feature a modern customer service center, they adopt slimline desk and tree desk instead of the traditional office furniture.
Tigejdiwin & Akemmus: The main office area adopts open concept spaces. Except that the conference room and supervisor room are private offices, it is a cubicle-free workplace.
Tibzimin: Simple lines, irregular quadrilaterals, office design, geometric pleasure
Tasnakta n Ufares: The beveled edge wood collage floor makes the office feel more spacious. Both side walls are decorated with wood panels. One wall is designed with wood texture and the other is painted in white. Both walls correspond to each other and lend a pleasing air to the space.
Asewḥel n Usnulfu: The purpose of service center is to deal with customers feelings. Thus, helping customer service executives develop peace of mind is supposed to be the primary concern of the interior design. Designer making use of the texture and the feature of the furniture constructs the geometric pleasure in the space. The open plan also creates infinity of the office space, which enables a normal workplace to become a wonderful place for people to interact and enhance relationship.
Anadi: Adopting the island hopping concept in the slimline desk arrangement creates a sense of groove. The tree desks are arranged in the shape of Y. To encourage the interaction, the lower screen enables users to keep privacy and interaction at the same time. In addition, hiding cords design avoids destroying the interior beauty edit.
Aseḥbiber: Simple lines always implicate infinite inspiration for design. Within the ever-changing textures, people keep carrying out their creativity with more innovation skills. This video game service center interior design uses simple geometric lines along with composite material parts to create comfortable and promising atmosphere.
Tanzagt n Usenfar: The project started in May 2017 and finished in March 2018 in Taiwan.
Tanila n Umahil: To highlight the professional competencies and friendly atmosphere, the high ceiling design along with the dusk yellow and warm gray tone intertwined with wood color impart a vibe of welcoming and promising sensation. In addition to drawing the natural light, the large glass curtain also allows people to capture the perfect view of the magnificent Mt. Dadu and Taichung city. As the sun moves, people can have fun watching the changing of the light shadow in the room.