Love Symbol Aneflus n Wesnulfu Adigan sɣur Chin-Shu Chen

Love Symbol Aneflus n Wesnulfu Adigan sɣur Chin-Shu Chen d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2020

Love Symbol Aneflus n Wesnulfu Adigan

sɣur Chin-Shu Chen

Amsaɣ: Fe Design Company

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

11,056

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #88469

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Love Symbol Aneflus n Wesnulfu Adigan

Aḍris n tektabt: Aneflus n Wesnulfu Adigan d asnulfu adigan n wexxam n 150 uḍebsi uẓaṛ deg Taipei, Taiwan. Adaz agejdan n texxamt n ustengel yettwaxdem s uzṛu n mermer n tприродal s yiniten yettbeddilen i d-issakayen tudrin n ucewwiq n ubḥir n usharq. Adaz n uzṛu yettazzal ar teɣzut. Deffir n udaz agejdan, tazeqqa n Buda tessken tira taskilit yettwaxedmen ɣef ubaba n twacult. Aseklu yettwaxdem ɣef ssqef akken ad yernu talwit d useqdec akked usdukel n imukan ilelli d wid usligen. Amukan ilelli d ameḥbes s uslig yerna yettqabal tafat n tabburt. Aneflus yeḥrez azmumeg d asfaylu n twacult.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Love Symbol Aneflus n Wesnulfu Adigan d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Love Symbol Aneflus n Wesnulfu Adigan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The stone of gradient colors and correspondence with oriental ink-painting landscape has been selected for the main wall of the living room, which is extended to the hallway to imply the heritage of sentiment. The back of the main wall is designed as a Buddha Hall, featuring the calligraphy drawn by the father, injecting the room with abundantly artistic foundation.
Tigejdiwin & Akemmus: The interior space is 150 square feet without the expression of too many different materials. The designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle.
Tibzimin: Marble wall, oriental ink-painting, natural lighting, humanistic dimension
Tasnakta n Ufares: The ceiling is designed with wood, the scope introducing public area to the private space, which also corresponds with the hallway and the stone, adding warmth to the room. In the public area featuring natural materials, the coarse or fine patterns show the release of organized linear and dimensional impression.
Asewḥel n Usnulfu: The public area is semi-open designed with integration of the movement and natural lighting between the internal and external space, which is simple and delicate. And in the private domain, the room freely releases the imagination for life and implementing sentimental dimension towards humanity while blending arts in between the lines and dimensions, which correspond with the lighting, colors and materials through low-profile but remarkable style.
Anadi: Designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle. The main wall in the living room extends the majestic and spacious atmospheres through the special patterns of natural marble, incorporated with the wood features of ceiling and wall. Designer pursues and builds a humanistic construction space through the authenticity of design, providing the dwellers with the surviving situation that passes down the beautify relation and sentiment.
Aseḥbiber: The 150 square feet unit customized for design in the pre-construction phase is a gift left behind by the deceased father to his wife and children. The fathers care and love for the family can be observed from the location of the building to the interior layout and arts.
Tanzagt n Usenfar: The project started in January 2018 and finished in August 2018 in Taiwan, Taipei.
Tanila n Umahil: The dining room arranges for an absolutely tranquil image of the space through rational colors but also explains the sentimental and warm cultural attitude through the embellishment of vibrant colors. The material in general introduces the co-existence of coldness and warmth, realizing the sentimental performance between sense and sensibility through every unexpected turn. The study room on contrary emphasizes on functional arrangement by taking consideration of the function of work processing.