The Japanese Forest Taẓriegt sɣur Masaru Eguchi

The Japanese Forest Taẓriegt sɣur Masaru Eguchi d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tewlaft d Usenfel n Tewlafin.

LfeṭṭaTawlaft· 2020

The Japanese Forest Taẓriegt

sɣur Masaru Eguchi

Amsaɣ: Sunpono

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tawlaft

52,557

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #95058

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef The Japanese Forest Taẓriegt

Tigʷert Tajapunit tettwattwaḍ seg tmuγli tafelsaft tajapunit. Yiwet seg tdyanin tiqburin tijapuniyin d Animizm. Animizm d lεeqda belli timγerfin ur nelli d imdanen, tidyanin ur netḥerrik ara (ilmawen, tiγawsiwin, atg.) akked tieγawsiwin ur nmuqul ara sεant daγen nniya. Taẓriegt tecba γer waya. Masaru Eguchi yettaẓ ayen yettarran taḥsusit deg usatal. Isekla, aγevvur akked ilmawen ḥessent lebγi n tudert. Ula d tiγawsiwin am iseddan i yeqqimen deg ugama i wakud ameqqran ḥessent lebγi. Akken i tzerremt agama ur yettwannul ara, azekka ad yeẓer tamuγli n wass-a.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

The Japanese Forest Taẓriegt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. The Japanese Forest Taẓriegt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Tigejdiwin & Akemmus: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tibzimin: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Tasnakta n Ufares: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Asewḥel n Usnulfu: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Anadi: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Aseḥbiber: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Tanzagt n Usenfar: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Tanila n Umahil: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Ibrivan: Copyright: Masaru Eguchi
Imsuren n Tugniwin: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.