Device of Perception Navenda Çandî لەلایەن Yuting Zhang

دیزاینی Device of Perception Navenda Çandî لەلایەن Yuting Zhang خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2022 Xelata A' Design Award a Tuncîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.

TuncMîmarî· 2022

Device of Perception Navenda Çandî

لەلایەن Yuting Zhang

کڕیار: Yuting Zhang

خەڵاتگری Xelata A' Design Award a Tuncîn لە پۆلی Mîmarî

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سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Device of Perception Navenda Çandî

Amûra Têgihiştinê navendek çandî ye li Mexico City, ku di navbera taxeke dîrokî ya kevir û pêşkeftineke bazirganî ya bilind de cih girtiye. Ev navend nêzîkî 4500 metre çargoşe digire û lê salonek dersê, şanoyek biçûk, cihê pêşangehê, ofîs, embar û qehwexaneyek heye. Meydaneke têketinê ya kûr avahiyê ji cadeya qerebalix vediqetîne û wekî dirêjkirina sahneya hundir kar dike. Her qat ji kelehê kurt bi çaryek zivirê hatiye zivirandin, ku dibe rêzgeheke giştî ya spîralî bi dîmenên qalibkirî yên bajêr. Betona xurtkirî û pola avhewayê hatine bikaranîn.

پێناسەکردن

دەربارەی Xelata A' Design Award a Tuncîn

Device of Perception Navenda Çandî xelatgirê Xelata A' Design Award a Tuncîn e, nasîneke pir bi prestîj ku ji sêwiranên berbiçav ên bi afirînerî, jêhatîbûn û zîrekiyê têne cudakirin re tê dayîn. Xelatgirên Tuncînê karên bi têra xwe jêhatî û bi awayekî balkêş afirîner in, yên ku ezmûna fireh, xeyal û çareserkirina sêwiranerên xwe piştrast dikin. Tê hêvîkirin ku Device of Perception Navenda Çandî tiştekî pir hatiye rêzgirtin, sitayişkirin û delal be, bi awayekî berbiçav pîşekar û nûjen. Ev sêwirana bi Tuncînê serketî pratîkên çêtirîn ên huner, zanist, sêwiran û teknolojiyê digire nav xwe û ji bo baldariya li hûrgiliyan hêja ye. Device of Perception Navenda Çandî pêdiviyan bi rengekî xweş tîne cih, destê xwe dide daxwazan, hestan dihejîne û meraqê dikişîne.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
قەبارە و پاکێج: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
تاگەکان: cultural center, gallery, theater, exhibition
تەکنەلۆژیای بەرهەمهێنان: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
هەڵەنگاندنی دیزاین: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
توێژینەوە: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
ئیلهام: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
ماوەی پڕۆژە: 2017 in Mexico City
ڕێڕەوی کارکردن: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
ئەندامانی تیم: Yuting Zhang
کرێدیتی وێنەکان: Yuting Zhang