بڕۆ بۆ ناوەڕۆک
Tibetan Thangka Art Muzexane لەلایەن AND Studio

دیزاینی Tibetan Thangka Art Muzexane لەلایەن AND Studio خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2024 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Mîmarî, Avahî û Strukturê.


ZîvMîmarî· 2024

Tibetan Thangka Art Muzexane

لەلایەن AND Studio

کڕیار: And Studio

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Mîmarî

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ڕەنگەکان

دیزاینەکە

دەربارەی Tibetan Thangka Art Muzexane

Muzexaneya Thangka ya Lhasayê muzexaneyek e ji bo hunera Thangka ku li damîna çiyayên Lhasayê hatiye avakirin. Avahî bi awayê keşîşxaneyeke Tîbetî hatiye rêkxistin û diyalogekê digel çiya û ezmên diafirîne. Rêyeke derveyî di navbera hecmên avahiyê de hilkişe û ber bi meydaneke bilind ve dibe, di heman demê de rêyeke hundirîn cihên pêşangehê rêk dixe. Dîwarên kevirî yên kevneşopî wekî dîwarên betonî yên ducar ên hewadar ji nû ve hatine şîrovekirin, ku îzolasyonê baştir dikin û bikaranîna enerjiyê kêm dikin. Materyalên herêmî û karkerên herêmî hatine bikaranîn. Muzexane hunera Thangka û çanda Tîbetî pêş dixe.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Tibetan Thangka Art Muzexane xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Tibetan Thangka Art Muzexane karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Tibetan Thangka Art Muzexane afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان
Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
قەبارە و پاکێج
The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
تاگەکان
museum, thangka art, concrete, brass, glass curtain wall
تەکنەلۆژیای بەرهەمهێنان
The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
هەڵەنگاندنی دیزاین
At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials.
توێژینەوە
At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
ئیلهام
Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
ماوەی پڕۆژە
The project started in February 2019 and finished in May 2022 in Lhasa, China
ڕێڕەوی کارکردن
We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls.
پەتێنتەکان
Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD
ئەندامانی تیم
Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk
کرێدیتی وێنەکان
Photo and Video by: Arch-Exist Photography

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