دیزاینی Gordafarid Kiras لەلایەن Mina Aliyari خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2025 Xelata A' Design Award a Hesinîn لە پۆلی پێشبڕکێی Dîzayna Moda, Cil û Bergê.

HesinModa· 2025

Gordafarid Kiras

لەلایەن Mina Aliyari

کڕیار: Kahkeshan Shahab Danesh

خەڵاتگری Xelata A' Design Award a Hesinîn لە پۆلی Moda

47,082

خەڵاتگری پشتڕاستکراو

پشتڕاستکردنەوەی باری خەڵات بۆ #167683

سەردانی ماڵپەڕ بینین لە A' Design Award ڕاگەیاندنی چاپەمەنی نیشانەی خەڵات

ڕەنگەکان

دیزاینەکە

دەربارەی Gordafarid Kiras

Gordafarid kirasekê ye ku ji xaliyên kevn ên farisî yên dubare bikaranîn hatiye afirandin. Xaliyên destbaf ên zirarlêbûyî û nekêrhatî, laşê jorîn (tenişt) pêk tînin û avahiya xwe ya orîjînal diparêzin. Pantol ji ketanê bi teknîka daliqandinê hatiye çêkirin, ku ilhama xwe ji cilûbergên eşîrên îranî girtiye. Serperêyek geometriya îranî bi teknîka origamiyê ve girêdide. Şaleke ku ji telên fenerî yên metal û qumaş hatiye çêkirin, dikare li ser laş bi awayên cûda were şêwazkirin. Bendên guherbar rê li ber guherîna mezinahî û fonksiyonê vedikin. Beşa xaliyê jî dikare li ser dîwar were daliqandin an li erdê were danîn.

پێناسەکردن

دەربارەی Xelata A' Design Award a Hesinîn

Gordafarid Kiras xelatgirê Xelata A' Design Award a Hesinîn e, nasîneke bi prestîj ku ji sêwiranên baş re tê dayîn, yên ku pêdiviyên pîşeyî û pîşesaziyê yên ku ji afirandinên baş hatine sêwirandin têne hêvîkirin tînin cih. Xelatgirên Hesinînê jêhatîbûna mezin, pisporiya bilind, têgihiştina pisporî û kapasîteya afirîner a afirînerên xwe nîşan didin. Tê hêvîkirin ku Gordafarid Kiras afirandineke pir hatiye rêzgirtin, sitayişkirin û delal, pratîkî û nûjen be. Ev sêwirana bi Hesinînê serketî pratîkên çêtirîn ên pîşesaziyê yekgirtî dike û xwedî taybetmendiyên teknîkî yên jêhatî ye ku bi zanîn û jêhatîbûnê ve girêdayî ne. Gordafarid Kiras ji ber baldariya xwe tê rêzgirtin û hatiye sêwirandin da ku kalîteya jiyanê baştir bike û alîkariya çêtirkirina dinyayê bike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
قەبارە و پاکێج: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
تاگەکان: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
تەکنەلۆژیای بەرهەمهێنان: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
هەڵەنگاندنی دیزاین: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
توێژینەوە: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
ئیلهام: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
ماوەی پڕۆژە: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
ڕێڕەوی کارکردن: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
ئەندامانی تیم: Mina Aliyari
Shahin Nayyer
کرێدیتی وێنەکان: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024