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Sense Move Primary Function: Cil û bergên Semayê لەلایەن Zhulin Shi

دیزاینی Sense Move Primary Function: Cil û bergên Semayê لەلایەن Zhulin Shi خەڵاتگرێکی بەناوبانگی خەڵاتی شکۆمەندی 2020 Xelata A' Design Award a Zîvîn لە پۆلی پێشبڕکێی Dîzayna Moda, Cil û Bergê.


ZîvModa· 2020

Sense Move Primary Function: Cil û bergên Semayê

لەلایەن Zhulin Shi

کڕیار: Last Lab Inc.

خەڵاتگری Xelata A' Design Award a Zîvîn لە پۆلی Moda

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ڕەنگەکان

دیزاینەکە

دەربارەی Sense Move Primary Function: Cil û bergên Semayê

Sense Move cil û bergeke ronahîweşan e ku ji bo semakeran hatiye sêwirandin. Cil û berg li gorî tevgera laş dibin şeklên geometrîk, û li ser sehneyê peykerekî kînetîk pêk tînin. Bandorên ronahiyê hestên diguherin diyar dikin. Vemirandineke hêdî nefesê nîşan dide, û teqînek jî coş û kêfxweşiyê nîşan dide. Wek beşek ji cil û bergê, destkêşeke hestewer jî tê de heye. Dema ku endamekî temaşevanan destê semakerê dixe destê xwe, ronahî li gorî têkiliyê diguhere. Armanca sêwiranê ew e ku girêdana hestiyar a di navbera performerkeran û temaşevanan de xurttir bike.

پێناسەکردن

دەربارەی Xelata A' Design Award a Zîvîn

Sense Move Primary Function: Cil û bergên Semayê xelatgirê Xelata A' Design Award a Zîvîn e, nasîneke bi awayekî awarte bi prestîj ku ji sêwiranên di asta herî bilind de, xweşik û bibandor re tê dayîn. Xelatgirên Zîvînê karên pir birûsk û pir afirîner in, yên ku pisporiya hêja, jêhatîbûn û zîrekiya sêwiranerên xwe nîşan didin. Tê hêvîkirin ku Sense Move Primary Function: Cil û bergên Semayê karekî mînak, pir pîşekar û bi kûrahî nûjen be. Ev sêwirana bi Zîvînê serketî vedîtineke berbiçav û hatiye sitayişkirin e ku ji bo fireh kirina sînorên huner, zanist, sêwiran û teknolojiyê tevkarî dike. Sense Move Primary Function: Cil û bergên Semayê afirandinek e ku gelek kes çavê xwe lê dikin, daxwazan şiyar dike, hestên erênî tîne û heyirînê çêdike.

لە پشت دیزاینەوە

کیتی چاپەمەنی

باوەڕپێکراوەکان، ئەندامانی تیم و وردەکاری تەکنیکی کە لەلایەن دیزاینەرەوە پێشکەش کراون.

تایبەتمەندییە تایبەتەکان
Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
قەبارە و پاکێج
Width 70mm x Depth 30mm x Height 150mm
تاگەکان
wearable technology, led lighting costume, kinetic sculpture
تەکنەلۆژیای بەرهەمهێنان
In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
هەڵەنگاندنی دیزاین
The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
توێژینەوە
I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
ئیلهام
With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
ماوەی پڕۆژە
The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
ڕێڕەوی کارکردن
The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
کرێدیتی وێنەکان
Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou

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