Bellamy Sans Šrifts — Paul Robb and Moira Bartoloni

Darbs Bellamy Sans Šrifts, kura autors ir Paul Robb and Moira Bartoloni, ir augsti novērtēts un ļoti prestižās 2025 Sudraba balva A' Design Award ieguvējs kategorijā Grafikas, ilustrāciju un vizuālās komunikācijas dizains.

SudrabaGrafika· 2025

Bellamy Sans Šrifts

Autors: Paul Robb and Moira Bartoloni

Klients: S6 Foundry

Sudraba balva A' Design Award ieguvējs kategorijā Grafika

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Dizains

Par Bellamy Sans Šrifts

Bellamy Sans ir mūsdienīgs bezserifa šrifts, kas pārdefinē groteskā stila tradīcijas ar rafinētu, modernu estētiku. Iesakņots Šveices tipogrāfijas tradīcijās, tas saglabā pamata neitralitātes principu, vienlaikus ieviešot mīkstinātu pieeju klasiskajiem groteskiem raksturīgajai stingrībai. Smalks kontrasts un rūpīgi veidotas līknes piešķir šriftam diskrētu ekspresīvu eleganci ar skaidrību, kas izpaužas bez pārmērīgas ornamentācijas.

Atzinība

Par Sudraba balva A' Design Award

Bellamy Sans Šrifts ir Sudraba balvas A' Design Award ieguvējs, ārkārtīgi prestiža atzinība, ko piešķir augstākās klases, krāšņiem un iespaidīgiem dizainiem. Sudraba ieguvēji ir ārkārtīgi spožas un ļoti radošas izpausmes, kas parāda to dizaineru izcilo kompetenci, talantu un asredzību. Sagaidāms, ka Bellamy Sans Šrifts būs lielisks, paraugdarbs, ļoti profesionāls un dziļi inovatīvs. Šis ar Sudraba balvu apbalvotais dizains ir ievērojams, apbrīnots izgudrojums, kas palīdz paplašināt mākslas, zinātnes, dizaina un tehnoloģiju robežas. Bellamy Sans Šrifts ir radījums, kam daudzi apskauž, kas modina vēlmes, rada pozitīvas izjūtas un raisa izbrīnu un apbrīnu.

Aiz dizaina

Preses materiāli

Dizainera sniegtie autori, komandas dalībnieki un tehniskie dati.

Unikālās īpašības: Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
Izmēri un iepakojums: The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
Birkas: Type design, Typeface, Specimen
Ražošanas tehnoloģija: The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
Dizaina izaicinājums: The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
Pētījums: This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
Iedvesma: The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
Projekta ilgums: The initial designs were designed in November 2023 with the digital font launched in September 2024.
Darbības plūsma: The Specimen book was sent to the first ten companies that ordered the complete family.
Komandas dalībnieki: Paul Henry Robb
Moria Bartoloni
Attēlu autori: Paul Henry Robb