Hoshino Jinja Toeram-pivavahana nataon'i Shigetaka Mochizuki

Ny endrika Hoshino Jinja Toeram-pivavahana nataon'i Shigetaka Mochizuki dia mpandresy sarobidy amin'ny 2024 A' Design Award Volafotsy amin'ny Sokajin'ny Fifanintsanana Famolavolana Lova Ara-kolontsaina sy Indostrian'ny Kolontsaina.

VolafotsyLova Ara-kolontsaina· 2024

Hoshino Jinja Toeram-pivavahana

nataon'i Shigetaka Mochizuki

Mpanjifa: Mochizuki Corporation

Mpandresy A' Design Award Volafotsy amin'ny Sokajy Lova Ara-kolontsaina

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #160556

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Hoshino Jinja Toeram-pivavahana

Fomba fiasa vaovao manambatra teknolojia taloha sy vaovao izany, toy ny fomba fanorenana nentim-paharazana japoney izay tsy mampiasa kojakoja vy, ny Ishiba-building, ary ny kajy tanjaka fatrany mifototra amin'ny fandinihana rafitra maoderina. Ny endrika, ahitana tsipika marindrano sy mitsangana, dia manana hatsarana ara-javakanto avo lenta ary voalaza fa manana hatsaran-drafitra mahasarika mifototra amin'ny fahitana japoney miavaka momba ny hatsarana.

Ny Fankasitrahana

Momba ny A' Design Award Volafotsy

Nandresy ny A' Design Award Volafotsy ny famolavolana Hoshino Jinja Toeram-pivavahana, fankasitrahana malaza be omena ny famolavolana ambaratonga ambony, tsara tarehy ary mahavariana. Ny mpandresy Volafotsy dia asa mamirapiratra dia mamirapiratra ary mamorona dia mamorona izay maneho ny fahaizana, ny talenta ary ny fahamaotinan-tsain'ny mpamolavola azy. Andrasana ho asa mahagaga, ohatra tsara, mahay amin'ny asa ary vaovao amin'ny halalin-tsaina ny famolavolana Hoshino Jinja Toeram-pivavahana. Ity famolavolana nandresy ny A' Design Award Volafotsy ity dia fikarohana miavaka be ary ankafizina izay mahasoa ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Hoshino Jinja Toeram-pivavahana dia famoronana mahazo fitaka be izay mamaly ny faniriana, mitondra fihetseham-po tsara ary mamelona fahagagana sy fahatalanjonana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Refy & Fonosana: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Marika: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Teknolojia Famokarana: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Fanamby Endrika: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Fikarohana: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Aingam-panahy: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Faharetan'ny Tetikasa: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Fizotr'asa: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Loharanon-tsary: Photographer, Yasuo Hagiwara