Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine nā Tingyu Hu

Ko te hoahoa Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine nā Tingyu Hu he kaitoa whakahirahira o te 2022 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

RinoKākahu· 2022

Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine

nā Tingyu Hu

Kaitoa o te A' Design Award Rino i te Wāhanga Kākahu

22,328

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #128106

Tūhura Ināianei Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine

Ko te Labyrinthine Journey of a Ballerina e whakaatu ana i te whakakotahitanga o te rerekee me te koretake o te waahi tuuturu me te reka o te poipoi, ma te whakamahi i nga kakahu hei reo. Ka hangaia e te Kaihoahoa nga waahanga ma te whakamahi i nga pona hei hanga pohehe 3D, me te whakarangatira i nga momo papanga maramara e whakanui ana i te kaupapa o te taha. Ko nga mahi toi penei i te hiraka me te mahi whakairo-a-ringa e whakamahia nuitia ana i roto i tenei kaupapa. E toru nga waahanga mo tenei kohinga ko te pohehe, te waahi me te atarangi, me te rereke i waenga i te hanganga me te ngawari.

Te Whakamihi

Mō te A' Design Award Rino

Ko Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Labyrinthine Journey of a Ballerina Ko Nga Kakahu Wahine mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: What would it look like if clothes become the canvas or the carrier of a concept lingering in her mind? Absorbing the bizarreness and emptiness of space from surrealism art and the delicacy of the ballerina, Tingyu treated her garments as 'paintings' while combining the functionality of clothing. Layering and crafts like silkscreen and hand-embroidery are widely used in this project. Three points for this collection are 'illusion', 'space and shadow', and 'contrast between structure and softness'.
Inenga & Pēketanga: 5 looks in US Size 4.
Tūtohu: surrealism, fashion, womenswear, wearable art, storytelling, pratt institute.
Hangarau Whakanao: Tingyu focuses on how dimensional a garment could be while keeping the balance of movement and abstraction. She uses boning to construct a 3D illusion and chooses transparent fabric to increase the layers of the garment so that emphasizes the concept of 'dimension', such as double knit layering, tulle over canvas, and beige lace over pink cotton sateen. About the techniques, crafts are always a major style so she corporates silkscreens and hand-embroidery to add some raw and playful feel to make the contrast with the strict color palette.
Wero Hoahoa: To avoid the literal interpretation or similar techniques of 1930s surrealism fashion, Tingyu edited down ideas that were too superficial or easy to look at and balanced the fine art side and the apparel side. This project requires a lot of draping of asymmetrical shapes and experiments of fabric to figure out the best choice for a certain silhouette.
Rangahau: Standing in front of 'The Melancholy of Departure' by De Chirico at MOMA and wondering what does it look like when is a ballerina trying to escape from De Chirico's paintings? How is it possible to add multiple dimensions to garments, like the dream world in 'Blood of a Poet'? By analyzing the geometrical elements in De Chirico's paintings and reading his artist theory, with the whimsical feeling, the little sculpture on the arm, and the contrast between the softness of pale pink and lined silhouette, the narrative is presented through every detail.
Whakaaweawe: Giorgio De Chirico, 'Blood of a Poet' and classical ballet are the three major inspirations. By observing works by De Chirico, Tingyu captures the contrast of brightness and shadow, enormous environment and tiny figures, and unlimited extension of the space even she becomes a part of the painting. 'Blood of a Poet' emphasizes the theme of 'labyrinthine'. The dreamlike quirkiness of the movie inspires her to replace the main character with a ballerina.
Everything in this project is the reflection of her vision.
Roanga o te Kaupapa: The project finished in May 2019 and shoot in 2022.
Rerenga Mahi: Tingyu creates a womenswear fashion collection 'A Labyrinthine Journey of a Ballerina' to present the quirkiness and elegance, structure and softness by using textile with the contrast of canvas and tulle, and asymmetrical shape. Inspired by surrealism art and movies and ballet costume.
Ngā Mema o te Rōpū: Fashion Designer: Tingyu Hu
Whakamana Whakaahua: Photographer: Sha Luo
Designer & Styling: Tingyu Hu
Makeup: Shiyao Liu
Model: PJ
Assistants: Xiang Cheng, Gianna Chun
Special Thanks: 19