Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko nā Midori Yamazaki

Ko te hoahoa Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko nā Midori Yamazaki he kaitoa whakahirahira o te 2024 A' Design Award Parahi i te Wāhanga Whakataetae Toi Matihiko.

ParahiToi Matihiko· 2024

Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko

nā Midori Yamazaki

Kiritaki: Out of Blue

Kaitoa o te A' Design Award Parahi i te Wāhanga Toi Matihiko

59,618

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #154231

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko

He whakaahua tēnei mahi toi i te āhua wā poto o tētahi ngaru i te āhua tino pai mō te heke ngaru, he ātaahua ki te tirohanga, ā, ka tuku raruraru whakaora ki te hunga mātakitaki i te wā kotahi anō. I hangaia mā te tukanga auaha i waenganui i te matihiko me te tinana, ka whakanui i te ao tūturu me te ao mariko i roto i te mahi tahi me EPFL. Ka whai kia whakaputa wheako i roto i te taiao, ka whakamana anō hoki i te kaha pūngao o ngā pūkenga whakaaro tangata e kōwhiri ana i ngā wheako ātaahua mā te mahi kia hanga āpōpō pai ake. Ka noho pūmau tonu te māramatanga o te nohoanga tangata, ahakoa pēhea te āpōpō i te wā ka rangirua te ao tūturu.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Waiting for the Wave in Metaverse Ngā Mahi Toi Matihiko i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Inenga & Pēketanga: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Tūtohu: wave, nature, science, visualization, digitalart, digitalfabrication
Hangarau Whakanao: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Wero Hoahoa: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Rangahau: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Whakaaweawe: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Roanga o te Kaupapa: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Rerenga Mahi: These are videos and static images as digital artworks.
Whakamana Whakaahua: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.