Sound Sculpt Synthesizer Puoro Taunekeneke nā Yiqi Zhao

Ko te hoahoa Sound Sculpt Synthesizer Puoro Taunekeneke nā Yiqi Zhao he kaitoa whakahirahira o te 2025 A' Design Award Rino i te Wāhanga Whakataetae Toi Matihiko.

RinoToi Matihiko· 2025

Sound Sculpt Synthesizer Puoro Taunekeneke

nā Yiqi Zhao

Kiritaki: MIT Media Lab

Kaitoa o te A' Design Award Rino i te Wāhanga Toi Matihiko

35,841

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #168315

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Sound Sculpt Synthesizer Puoro Taunekeneke

Whakaaro ki tētahi ao e whakairo ana i te oro mā te nekeneke, e hanga ana i tētahi tūāhua oro-ataata whakamiharo. Ko SoundSculpt he taputapu puoro whakatupu ka hono i te oro ā-wāhi, i te neke, me te toi ataata. Mā te whakaawe mai i te whakairo tuku iho, ka whakamana i ngā kaiwhakamahi kia noho pūtahi rātou ki tō rātou tukanga auaha. Mā ngā AR Frames, ka hopukina ngā neke upoko ka whakawhitia ki te whakarereke oro wā-tūturu mā te anga MIDI. I whakawhanakehia i runga i te pūhara whakahaere, ka whakarato a SoundSculpt i tētahi wheako rumaki e whakangāwari ana i ngā tūāpae i waenga i te kaihanga me te hanganga, e whakahou ana i te tūhuratanga toi.

Te Whakamihi

Mō te A' Design Award Rino

Ko Sound Sculpt Synthesizer Puoro Taunekeneke te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Sound Sculpt Synthesizer Puoro Taunekeneke he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Sound Sculpt Synthesizer Puoro Taunekeneke mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Revolutionizing Perception through Immersive Music Making
Imagine sculpting with sound, where body movement generates a mesmerizing audio visual landscape. SoundSculpt is an innovative, generative music tool that fuses spatial sound, motion, and visual art, redefining the boundaries of creative expression. By harnessing the power of Bose AR Frame, this interface enhances perception performance, providing a novel medium for artistic exploration, emotional regulation, and mental well being.
Inenga & Pēketanga: The system uses a MIDI framework to map Bose Frames' head orientation data to sound pitch and volume, then transferred to virtual bubble manipulation is achieved through touch inputs with C# scripts. The integration of synesthesia principles enhances sensory perception, creating a holistic flow that bridges the gap between physical and digital art forms.
Size: 7.2 x 3.1 x 2.9 inches
Weight: 12.31 ounces
Lenses: Polarized
Water Resistance: IPX2 rating
Battery Life: Up to 5.5 hours
Bluetooth Range: 30ft
Tūtohu: AI, generative AI, spatial audio, digital media, unity, music, wearable tech, Bose, XR, AR
Hangarau Whakanao: SoundSculpt employs XR tech, integrating spatial audio and visual processing for immersive experiences. Bose Frames, with gyro sensors, capture 6 dof head movements, translating them into real-time audio modulation via a MIDI framework. Developed on Unity with C# scripts, it enables real-time user interaction. Mesh deformation and vertex manipulation allow dynamic bubble surface control, creating a responsive interface that enhances engagement and emotional connection.
Wero Hoahoa: The hardest part was integrating multi sensory feedback into a seamless flow. Creatively, it was challenging to synchronize audio-visual elements with inputs in real-time. Internally, balancing human vulnerabilities, historical concepts with modern tech required innovative thinking. Externally, limitations in sensor accuracy and data processing posed obstacles. Overcoming these required iterative testing and leveraging cutting-edge XR technology to ensure fluid interaction and emotional impact.
Rangahau: This HCI research aims to develop an immersive tool for emotion regulation. Using a mixed reality approach, data was collected via user testing and biometric feedback with Bose Glasses and Real-time 3D engine. Participants included designers and non-designers. Results showed enhanced perception of spatial volume, sound, and motion, with a more stable emotion stage. Insights suggest adoption in psychiatry with art therapy, impacting society by improving emotional well-being with playful creation.
Whakaaweawe: SoundSculpt is inspired by the tactile art of sculpting, where shaping materials evokes profound emotional expression. Echoing ancient pottery, where your hands transform raw material into art, SoundSculpt revolutionizes this dynamic by turning it inside out, empowering users to become integral to the creative process. By integrating spatial audio and visual art, I offer you an immersive experience that blurs the boundaries between creator and creation, redefining interaction for a new era.
Roanga o te Kaupapa: The project began in fall 2019 at the MIT Media Lab in Cambridge, MA, and concluded in summer 2020. It was subsequently exhibited to the Bose Frame AR team at Bose Corporation in Framingham, MA.
Rerenga Mahi: SoundSculpt immerses users within a virtual bubble, enabling them to shape its surface through intuitive gestures. As they tilt their heads or press buttons, Bose Frames capture these actions, converting them into dynamic audio-visual feedback. This interaction fosters a seamless cycle of "listen," "sculpt," and "art generation," empowering users to transform their environment. The system's innovative design ensures a fluid, captivating experience that boosts creativity and emotional well-being.
Pātene: Copyrights belong to Yiqi Zhao, 2025.
Whakamana Whakaahua: Image 1: Yiqi Zhao, 2024.
Image 2: Yiqi Zhao, 2024.
Image 3: Yiqi Zhao, 2024.
Image 4: Yiqi Zhao, 2024.
Image 5: Yiqi Zhao, 2024.
Video Credits: Yiqi Zhao, 2024.