Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas ītēchcopa Karina Frances Edmonds

Tlanāhuatīlli Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas ītēchcopa Karina Frances Edmonds cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlaquentiztli· 2020

Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas

īpal Karina Frances Edmonds

Tlanāhuatīlli: Karina Frances

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlaquentiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #102508

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas

Tlachializtli Ixtololohtin ce tlaquentli tlachihualli tlen tlahmachtli ipan tlahtolli, tlen quinextia ixtololohtin ihuan tlachializtli. In tlaquentli quinextia iixyo se ixtololoh ipan bodice, campa in chichihualli quinextia inezca ihuan in chichihualnacaz quinextia in ixtelolotli. Ce cocotztli quisa ompa hasta tlalli, momanaltia ipan cequi tlanahuatiltin campa monamiqui, quichihua ce ixnezca tlen huetzi quen atlatlacamaniloni. In ixnezca quiilnamiquia amoxtlacuiloli tlen momachtia quenin tlanextli mocuepa. In bodice mochihua quen corset ihuan tepoztlacuitlahuiloni ihuan cuetlaxtli tlen amo melahuac tlen chicahuac, tlen quicahua in cocotzin ma motilana chicahuac. Yehyecoliztli ipan cuitlapan quiilnamiquia huehuenezcayotl ipan yancuic tlachihualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Perception of the Eyes Tlaquentli Tlachihualli Ihuan Nequizyotl Tlen Huelmottas quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The uniqueness in my design is born from the empowerment created for one to radiate. Empowerment is also my inspiration. My design mirrors an embodiment of this spirit. This garment speaks about eyes and their poetic power. The design boldly enhances the human body, through the rawness of the breasts, mimicking eyes, to the enhanced hip lines, through sculpture. The leather strips, architecturally strike down from the pupil (nipple) to create an illusion lasering out as a form of vision and structural support. Beauty in design shines when poetry meets function.
Huēyiliztli īhuān Tlacualtepēhualli: Size 6
Tōcāitl: wearable art, eyes, vision, perception, poetry
Tlachīhualiztli Māchiyōtl: The materials used for the geometric elements are particularly effective. By constructing a corsetry bodice from more robust elements with wire and stiffer fabric such as faux leather, the contrasting silhouette strips are enabled to be pulled tight and hold the criss-cross pattern beautifully, before falling into waves. This is reminiscent of scientific diagrams of refraction of light. The production of this design regarded structure, architecture, form and the body. In the making and testing of this design, I thought about physics regarding matters like the laws of gravity and structure in terms of its architecturally inspired form.
This dress has a sense of history in its construction echoing vintage hip lines whilst displaying thoroughly contemporary vision.(regard pdf) for full version of "Production, realization technology and materials)
Tlanāhuatīlli Nētēcahuilīztli: Beginning with the research I was challenged with deep inner reflection, about myself, and identity regarding the theme “Who am I”. Especially because I haven't found myself in this stage of my life as a 15 year old. I believe we are always changing and growing as people, and a society. Also, I faced challenges that regarded transferring my ideas from my pen to the needle, as this was the first time I had created a collection.
Tlatēmōliztli: I looked at many sources that helped me better define my knowledge to create a 5 piece collection that could reflect me as a person and unravel my identity. Second, after building my knowledge to a level at which I was confident, I could begin the artistic journey, I began designing. Even when designing it seems as if research and design overlapped, because I was always learning something new. Everything I learned was applied to enhance my skills and help my ability in creating material that is so new to me in the arts. (regard pdf for full research)
Tēyōllālīliztli: I was inspired by eyes and their magical properties with their ability to connect, reflect, and create visual poetry of the world around us. This poetic and magical ability for an eye to radiate vision is the inspiration for this dress. One can see these definitions through the garments architectural forms and illusions that run from the nipple to the ground.
Tēquitl Cāhuitl: My fashion journey began with research April 2019, designing in May 2019, and finally completed in the summer of June 2019. The dresses were then showcased on the runway at NewYork FashionWeek Fall season (F/SS NYFW), the 7th of September 2019
Tēquitl Ōhuitl: The design has specific details that make the whole difference when looking at its performance as wearable art. While wearable art is very abstract and not the most wearable, I tried to make my designs so that they can still perform with attributes of the body making them more wearable. There are significant details that allow for this to happen, still encouraging the possibility of my design without making any major adjustments. This includes different systems created to convert art into wearable art.
Patentēmeh: N/A
Calpolli Tlācah: Tailor 15% work with patterns-( technical element).
Īxiptla Tlanēxtīlli: Image #1: Bruce Wang, 2019
Optional Image #2: Bruce Wang, 2019
Optional Image #3: Bruce Wang, 2019
Optional Image #4: Bruce Wang, 2019
Optional Image #5: Bruce Wang, 2019