Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli ītēchcopa Catalina Paladi

Tlanāhuatīlli Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli ītēchcopa Catalina Paladi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaquentiztli· 2021

Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli

īpal Catalina Paladi

Tlanāhuatīlli: Catalina Paladi

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquentiztli Tlamantli

61,276

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #112264

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli

Turquerie ca ce cihuatlaquentiliztli tlanechicolli tlen omoyolitih itech in itlachializ tlamatiliztli tlen Ottoman Tlahtocayotl. Inin tlanechicolli mochihua ica chicuacen ixiptlayotl ihuan matlactli tlamantli tlen manohmatica omochihqueh, ipan tamachiuhtli tepiton ahmo huel tepiton axan tlahco. Tlazohtlaquemitl quen jacquard, velludo ihuan chiffon quichihuah in tlapalnepanoliztli ihuan atlacayotl, quiyecchihuah in yolic tlacamecayotl ihuan chipahuac axcan tlaollohuiliztli. Tlaquemitl tlaonoc ica occequih etiliztli ihuan tlanextiliztli, ihuan in cualtzin ahcolmaitl ihuan cuecueyoctli, quimacah in tlaquemitl ce ololiztli. Miec tlahtzomaliztli momanohmatica tlahtzoma, ipampa in tlaquemitl pitzahuac.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Turquerie Primary Function: Cihuatlaquentiliztli Tlanechicolli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Turquerie is a maximalist collection, dynamic, full of textile ornaments, colours, embellishments, accessories, jewelleries and other decorations, all intended to eloquently reflect the Ottoman influence sheltering a modern allure. Luxury materials such as jacquards, velvet, chiffon create both chromatic contrast and fluidity, furthermore enriching the simple shapes and the clean modern lines. Made of six silhouettes, it gives a wide range of outfits to choose from, for every occasion.
Huēyiliztli īhuān Tlacualtepēhualli: The entire collection consists of 6 looks, 10 custom made pieces. Size XS to M.
Tōcāitl: Turquerie, velvet, jacquard, chiffon, modern, classic, couture.
Tlachīhualiztli Māchiyōtl: Due to the delicate nature of the fabrics, the collection has a lot of hand sewn stitches, approaching the old school techniques. It is composed of six silhouettes: 1. A modern velvet jumpsuit, 2. A classic velvet suit with jacquard vest with a mosque like ornament, 3. a jaquard tunic with chiffon layered sleeves, 4. a jaquard ornamented dress with a chiffon kaftan with ruffled sleeves, 5. A chiffon dress with a striped golden jacquard overcoat. 6. A chiffon maxi dress, with a long velvet vest.
Tlanāhuatīlli Nētēcahuilīztli: Some of the challenges that arose during the process were: 1) the volume of labour was daunting for one person (CAD pattern making, cutting and sewing the cotton mock-ups, cutting and sewing the final pieces, multiple fittings and alterations); 2) the gentle and delicate fabrics needed special care (plenty of stitches had been hand sewn: velvet ). 3)the project involved an extensive research part as well, since it served as final course work for the author's Textile Engineering Degree.
Tlatēmōliztli: The research focuses on the Ottoman Empire: the tolerance they displayed towards vasal nations, the social role they attributed to women, the majesty of their culture and their ability to embrace foreign influences in order to enrich their own culture. This inspired the author to find balance between her Moldovan roots and her addictive love towards other cultures. Still, it was a risky yet good decision to pin the Ottoman inspiration against a Moldovan ethnic background for the campaign shooting.
Tēyōllālīliztli: The majestic Ottoman Empire served as inspiration for this collection. Tolerant ottoman politics implemented towards conquered territories resulted in a rich, colourful cultural life which upheld a harmonious interaction between the arts. Thus, a mix of byzantine, european and persan influences flourished in the turkish culture. The collection and its campaign illustrates both the refined esthetics of the Ottoman Empire and their open-minded approach to foreign cultures. Being shot in a folkloric Moldovan background, it emphasizes the importance of interaction between nations and encourages the viewer to open his heart to the multitude of the different cultures, since every person is a sum of the many peoples and nations that his ancestors had crossed. Evreyone has in his cells a richness of colour, energy and temper of so many unknown to him individuals who fill his genealogy up, people who had their joy and happiness, sufferings and burdens, but nevertheless, they had gifted the modern man a part of themselves.
Tēquitl Cāhuitl: The project had begun in September 2016 and was completed in June 2017. It served as the final project for the Textile Engineering degree, part of the University graduation. The idea of placing the collection in the Moldovan rustic background for the campaign came in early 2020, whilst the shooting took place in September 2020.
Tēquitl Ōhuitl: The collection dynamics are conveyed by the layering of fabrics which differ in density, opacity and colour. The dynamics are obtained by the stylization of the sleeves, which creates a rhythmic movement of flounces; different velvet textures; expressive jacquards and a playful dance of transparencies.
Īxiptla Tlanēxtīlli: Image #1, #2, #3, #4, #5
Photographer: Sergiu Rotaru, 2020
Styling: Corina Croitor
Model: Sabrina Danilova
Model: Valeria Untu
Model: Maria-Magdalena Cucu
Video credits: Corina Croitor
Video Montage: Selina Paladi