Tlanāhuatīlli Kinematic Konnection Tlaquentli ītēchcopa Anna Vescovi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Tepoztli īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.
TepoztliTlaquentiztli· 2022
Kinematic Konnection Tlaquentli
īpal Anna Vescovi
Tlanāhuatīlli: Anna Vescovi
Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlaquentiztli Tlamantli
Tlaneltīlīlli Tēmacēhualōni
Xictlaneltilia Tēmacēhualli ītēchcopa #133098Tlanēxtilistli
Ītechcopa Kinematic Konnection Tlaquentli
Kinematic Konnection in tlaquentli tlachihchiuhtli ika acrylic tlapitzalli tlatectli ika tlapetlaniloni tepoztli. Miyequintin teocuitlaayacachtin sepoalli huan ompoalli quipiloa huehueyac tlacototztli, cecen se pulgada ic huiac huan se pulgada ic patlahuac, tlatectli itech acrylic amatl poctic itlacayo. In tlapatiliztli tlapohualoli ika tlapohualmachiotl, huan miyecpa moyeyecoh inic huel melahuac ma mochihua matlactli mihuiliztli inic monequi patlahuacayotl huan chamahuacayotl. In petlanqui ixco quipantlantia achi ilhuicayotl, iuhqui tezcatl. In tlasalolistli quinamiqui in olinilistli ihuan in etic, quiihtoa itech in tlaixnamiquiliztli in ahmo melahuac neneuhcayotl itech in tlacayotl itech ballet. In tlasalolistli tlamantli no quinequi ma huel motlalilican noso mocuilican piezas inic cualli motlalia itech tlacatl.
Tēixīmachōtiliztli
Ītechcopa Mahuizolli A' Design Award Tepoztli
Kinematic Konnection Tlaquentli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Kinematic Konnection Tlaquentli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Kinematic Konnection Tlaquentli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.
Tlanēxtilistli Ītēixpan
Āmatl Tlanextīliztli
Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.
- Cē Zan Ītēchcopa
- The Kinematic Konnection garment is comprised of laser cut acrylic pieces, deliberately designed to parallel the weighted nature of the ballet industry and the struggle of fitting unrealistic cosmetic standards of physical image. The garment pattern is constructed mathematically in the Adobe Creative Suite, meticulously comprised of intentional juxtaposition. Unlike the flow of fabricated textiles, this garment pushes technical boundaries through contrast of kinetic freedom and restriction.
- Huēyiliztli īhuān Tlacualtepēhualli
- Acrylic roundels measures 1"x1", cut from four 12"x18" sheets. I'd calculated 30 excess roundels in the event of additive alterations for length or width of the garment if necessary. Inclusivity is an underlying theme; with joinery, one size fits all with customized additions or reductions. With fabric, there is often little room for a one-size-fits-all ability when tailored for traditional measurements. This garment computes 3.5' in length & 2.8' in hip width, made specifically for our model.
- Tōcāitl
- kinetic, garment, structure, fashion, reflection, textile, acrylic, lasercut, material, innovation
- Tlachīhualiztli Māchiyōtl
- Adobe Suite files were digitally arranged to include roundel shapes with interior hole dimensions. Sample variations were created in order to arrive at the ideal width, size and thickness for the garment pattern. Sample considerations were paired down to the millimeter with the best result selected for the final cut. The finalized template is then laser cut into individual pieces from a 12"x18" "smoke" colored acrylic sheet, prepared to be joined with hundreds of assembled gold jump rings.
- Tlanāhuatīlli Nētēcahuilīztli
- One of the greatest challenges were the mathematical calculations of this garment. Following several laser cut test prototypes, I'd noticed the heat of the laser beginning to warp the acrylic towards the end of the job. Calculating the distance of the joinery holes from the edge of the roundels, the ideal mm width of the jump rings, warping preventions, the exact amount of acrylic sheets needed with safety excess and the mathematical alterations for the model's dimensions was a tedious task.
- Tlatēmōliztli
- A second career in design opened my eyes to the extent of traumas contingent on what psychologists call "mirror-gazing." Research on Body Dysmorphic Disorder (BDD) stems from studies with the British Journal of Clinical Psychology, medical podcasts and discussions with doctors at Boston Behavioral Medicine. Mirror-gazing is an almost unavoidable complication, ingrained as unrealistic standards of living. Social research includes interviews with Simon Biles, Laurie Hernandez and Kathryn Morgan.
- Tēyōllālīliztli
- This garment, part of my senior thesis, is inspired by the 15 years I'd spent dancing under international ballet companies. Dancers in training dedicate 75-80% of their waking lives to mirror-gazing. Over 28,000 hours of my own life have been spent analyzing my reflection. Textiles' reflective materiality conveys physical and emotional confinement. Scandinavian principles of minimalist craftsmanship lay the aesthetic ground-work for this garment, voiced through appreciation of textile design.
- Tēquitl Cāhuitl
- This project began in Georgia, USA in May of 2021 and was completed three months later at the end of the summer. It was then captured in-studio at Savannah College of Art & Design's Adler Hall.
- Tēquitl Ōhuitl
- One of the most captivating elements of this garment is its play of light; the glossy surface returns subtle reflections, just as a mirror would. Kinematic Konnection balances fluidity with weighted restriction; joinery techniques serve as the metaphorical juxtaposition between freedom and confinement. The purpose of this garment is to provoke an awe-inspiring allure of constructed elegance imagined from heavier subject matter of mirror-gazing.
- Calpolli Tlācah
- Garment/Art Direction: Anna Vescovi
Photography & Editing: Patrick Cox
Photography Assistant: Emerson Scheerer
Talent: Chloe Hill - Īxiptla Tlanēxtīlli
- Image #1 : Patrick Cox
Optional Image #2: Patrick Cox
Optional Image #3: Patrick Cox
Optional Image #4: Patrick Cox
Optional Image #5: Patrick Cox
Film Credits: Patrick Cox
Tlacōhualli
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Xictēmoa tlanāhuatīlli, tēquitl īhuān tlanāhuatīlli ītēchcopa totlanōnōtzalcāhuān.
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Tlanēxtīliztli Tlanāhuatīlli
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