Gordafarid Tlaquentli ītēchcopa Mina Aliyari

Tlanāhuatīlli Gordafarid Tlaquentli ītēchcopa Mina Aliyari cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Tepoztli īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTlaquentiztli· 2025

Gordafarid Tlaquentli

īpal Mina Aliyari

Tlanāhuatīlli: Kahkeshan Shahab Danesh

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlaquentiztli Tlamantli

47,082

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #167683

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Gordafarid Tlaquentli

Gordafarid ce tlaquentli tlachihchiuhtli itech petlatl Persiatlacah tlein occepa quicuih. Petlatl tein tlacocolli ihuan ayocmo huelis motequitiliz, tlein imamatica huihuitlantli, quichihua elpan ihuan quipiya inelhuayotlachihualiz. Tlaxtli tlachihchiuhtli itech ichcapatlactli ica tlanahuatiliztli tlacencuiliztli, tlein motlachialtia itech intlaquen Iran tlacamecayotl. Ce tzoncuayehuayotl quicetiliya Iran tlamachiotl ihuan amaxochiotlachihualiztli. Ce mamalhuaztli tlachihchiuhtli itech tepoztlacototzoltin ihuan tlaquentli huelis quipiyas nepapan tlanexiliztin ipan tonacayo. Nepapan ilpicayotl cahua patlahuac ipan tlein huey ihuan tlein tequiti. Iihtitlapechtli petlatl noihqui huelis mopiloz ipan tepamitl noso motlaliz ipan tlalpan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Gordafarid Tlaquentli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Gordafarid Tlaquentli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Gordafarid Tlaquentli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Huēyiliztli īhuān Tlacualtepēhualli: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Tōcāitl: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Tlachīhualiztli Māchiyōtl: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Tlanāhuatīlli Nētēcahuilīztli: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Tlatēmōliztli: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Tēyōllālīliztli: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Tēquitl Cāhuitl: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Tēquitl Ōhuitl: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Calpolli Tlācah: Mina Aliyari
Shahin Nayyer
Īxiptla Tlanēxtīlli: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024