Poem Sapce Achi Amo Tlazoltextli Cuēitl ītēchcopa Bonan Li

Tlanāhuatīlli Poem Sapce Achi Amo Tlazoltextli Cuēitl ītēchcopa Bonan Li cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlaquentiztli· 2025

Poem Sapce Achi Amo Tlazoltextli Cuēitl

īpal Bonan Li

Tlanāhuatīlli: Bonan Li Studio

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlaquentiztli Tlamantli

75,622

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #169597

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Poem Sapce Achi Amo Tlazoltextli Cuēitl

In Poem Sapce cuēitl mochīhua ica achi amo tlazoltextli, ompa monelōa yancuīc tlapechīhualiztli īhuān zōtl in ahmō tlazoltextli motequi. In cuēitl mochīhua ica māpalōlli tīlmahtli, in tlachīhualli īntech in tlaīxmatinih tlācah ītech miyec tlālpan, in quipiyah huēhuetlācayōtl in māpalōliztli. In tlālpan cē tlapōhualli in tīlmahtli quichīhua nepapan āxcān yeyantli, quichīhua yōlcāyōtl ēxcān tlamantli in tlapechīhualiztli, ahmō quitequi textli. Cecen tlapechtli mopiya ica māitl īhuān moihcuiloa īpan cartōn īca tepitōn tlachīhualiztli. In yōlcāyōtl tlapechtli mohuīca īca in tlacatl īnacayo īhuān quimaca yehyectli īhuān chicāhuac tlamanextli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Poem Sapce Achi Amo Tlazoltextli Cuēitl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Poem Sapce Achi Amo Tlazoltextli Cuēitl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Poem Sapce Achi Amo Tlazoltextli Cuēitl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Huēyiliztli īhuān Tlacualtepēhualli: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Tōcāitl: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Tlachīhualiztli Māchiyōtl: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Tlanāhuatīlli Nētēcahuilīztli: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Tlatēmōliztli: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Tēyōllālīliztli: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Tēquitl Cāhuitl: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Tēquitl Ōhuitl: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Īxiptla Tlanēxtīlli: Photographer Hao Zeng