The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli ītēchcopa Yen Chang Chen

Tlanāhuatīlli The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli ītēchcopa Yen Chang Chen cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Cozticteocuitlatl īpan Tlanextiliztenoyotl, Tianquiztlatecpanaliztli ihuan Tlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlTlanextiliztenoyotl· 2026

The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli

īpal Yen Chang Chen

Tlanāhuatīlli: Yuan Ze University

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Tlanextiliztenoyotl Tlamantli

46,801

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #178404

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli

Cōmitl tlen Tlachīhualiztli Tēixnextiliztli ōmochīuh inic quicuepāz cē tlamantli huel ixnēzqui tlen āxcān Taiwan tlālpan tōpōlōcāyōtl, inic mochīhuaz cē tlamantli nelli tlen huelī macōz. Ōmoyōlēuh īca cē huēyi tlacaquilizzōtl tlen internet, tlen quicentlālia huetzquiztli, tēcamanalōliztli, īhuān tlacaquiliztli tlen āltepētl, in tlachīhualiztli quitēmoa quēnin in tōnāhuatlahtōl huelī mocuepāz ītech tlachīhualiztli tlacōhualōni. Īca quinepanōa in digital tōpōlōcāyōtl īhuān in nemiliztli tlen tlālticpac, in tlachīhualiztli quipiya in tōpōlōcāyōtl ilnāmiquiliztli, quiyōlēhua in tlācatiliztli āltepētl, īhuān quimaca cē ōtli tlen huelī inic tlanemililōz ītechpa in āxcān tlācayōtl īhuān in cepanhuīcaliztli neixnextiliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Kaobei Cōmitl tlen Tlachīhualiztli Tēixnextiliztli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The KaoBei Cup is a ceramic design that transforms vernacular language into a functional communication interface. It goes beyond conventional products by integrating language, object, and social interaction into a scalable cultural system. By materializing informal expressions, it creates a new form of engagement that connects everyday use with digital sharing and cultural participation.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions: approx. 90 mm (W) × 90 mm (D) × 100 mm (H); capacity approx. 300 ml.
Material: high-fired porcelain with glazed finish.
Production: slip casting with decal transfer printing and kiln firing.
Packaging: recyclable paper box with protective insert.
Series-based design with multiple typographic variations ensuring consistency and scalability.
Tōcāitl: vernacular design, cultural communication, language-based design, product system, emotional interaction, typographic design, social engagement, everyday object, cultural identity, design innovation
Tlachīhualiztli Māchiyōtl: The KaoBei Cup is produced using ceramic slip casting with high-fired porcelain for durability and fine detail. The vernacular typography is developed through iterative graphic translation and applied using precision decal printing and kiln firing. The process integrates linguistic research, visual abstraction, and material prototyping to ensure consistency across series production.
Tlanāhuatīlli Nētēcahuilīztli: The main challenge was translating informal vernacular language into a culturally acceptable and functional design without losing its original tone. Balancing humor, sensitivity, and readability required careful iteration. Another difficulty was standardizing non-structured expressions into consistent visual forms for production. The project addressed these through linguistic analysis, typographic refinement, and prototyping, ensuring both authenticity and scalability.
Tlatēmōliztli: This project is qualitative design research exploring how vernacular language can be transformed into product-based communication. The objective is to materialize everyday expressions into interactive objects. Methods include linguistic observation, visual translation, and prototyping. Data were collected from daily speech and digital communication patterns. Tested through real-world use in cultural contexts. Results show increased engagement and sharing. Insights reveal language can function as a cultural interface, impacting design, communication, and cultural industries.
Tēyōllālīliztli: The KaoBei Cup is inspired by the everyday vernacular expressions widely used in contemporary communication, particularly those shaped by digital culture. These phrases, often casual, humorous, and emotionally expressive, have evolved into a shared linguistic system reflecting how people interact and connect in daily life.

The project explores how language can move beyond text and speech to become a tangible cultural medium. By transforming commonly spoken expressions into physical objects, the design materializes intangible communication and repositions it within everyday use.

The inspiration also emerges from the contrast between informal language and formal cultural contexts. Expressions that are typically considered trivial or marginal are recontextualized into designed objects, creating a dialogue between everyday culture and institutional spaces. This approach has been applied in museum and social communication settings, where the design enables audiences to engage with cultural content through familiar language and interactive experience.

Ultimately, the project is driven by the idea that design can translate ordinary language into a shared cultural interface, allowing people to express emotions, build connections, and reflect collective memory through everyday objects.
Tēquitl Cāhuitl: The project started in 2024 in Taiwan and was completed in early 2025. It was implemented in museum retail and social media contexts, where it was presented as part of cultural promotion initiatives. The design continues to be developed and expanded as a series-based product system.
Tēquitl Ōhuitl: Users interact with the Kao Bei Cup through daily use, where each printed phrase expresses a specific emotion or attitude. The cup functions as a conversation starter, allowing users to communicate indirectly through language embedded in the object. Its interaction extends beyond physical use to social sharing, enabling engagement across both personal and digital contexts.