Dizayini ya 2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero ndi Fundesign.tv ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zochitika ndi Mikumano.
ChitsuloChochitika· 2026
2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero
ndi Fundesign.tv
Kasitomala: Kaohsiung film archive
Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Chochitika
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #180307Kapangidwe
Za 2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero
2025 Kaohsiung XR Dreamland ndi kapangidwe ka chionetsero kopangidwira pulogalamu ya makanema owoneka ngati weniweni mu Kaohsiung, Taiwan. Malo ake amakwana pafupifupi masikweya mita 1,000 ndipo muli malo 22 oyeserera zinthu, malo aliwonse ali ndi masikweya mita 3 mpaka 12. Malo aliwonse amasintha zinthu za pulogalamu yake zosaoneka kukhala zinthu zenizeni zogwirika, pomwe mutu umodzi wa mtundu wakale wamtsogolo umagwirizanitsa malowa ngati zipinda za makanema payekhapayekha. Mizere yosalala yopindika, ma acrylic owala ngati galasi ndi ma panelo a LED owonekera zimapanga khomo lowala ndi kamalo kakale kogulitsira matikiti. Njira yake imatsogolera alendo pang'onopang'ono kuchoka ku dziko lenileni kupita ku maiko osaoneka.
Chidziwitso
Za Mphoto ya Chitsulo ya A' Design Award
2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. 2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. 2025 Kaohsiung XR Dreamland Kapangidwe ka Chionetsero amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- Kaohsiung’s remarkable journey from a heavy-industry port city to Asia’s XR innovation hub is the core inspiration behind XR DREAMLAND. Since 2017, when the Kaohsiung Film Festival launched Taiwan’s first VR program, the city has embraced immersive storytelling with bold vision and passion. At the Pier-2 Art Center, it established the permanent VR FILM LAB, which has grown into one of the largest XR immersive platforms in Asia, shaping Kaohsiung’s cultural identity around creative technology.
- Miyezo ndi Kuphimba
- Within an approximately 1,000-square-meter space, the exhibition features 22 XR experience booths, ranging from 3 to 12 square meters. Each booth is independently designed by physically extending its specific virtual XR content into the real world. Unified under a central Future Retro theater framework, these varied spatial installations are cohesively presented as individual cinema halls.
- Zizindikiro
- XR, DREAMLAND, Film Festival, Kaohsiung, Pier 2 Art Zone, VR, MR, AR, fundesign
- Teknoloji Yopangira
- The design team employs immersive narrative to bring the Crossborder Reincarnation concept to life. Utilizing a Future Retro aesthetic, the spatial execution contrasts a nostalgic exterior—such as the vintage ticket booth—with avant-garde, high-tech exhibition interiors. By juxtaposing these distinct temporal elements, the architecture functions as a dimensional portal. This curated pacing guides visitors from reality into the XR realm, establishing design as a language of the future.
- Vuto la Dizayini
- The primary internal challenge was synthesizing diverse cultural perspectives into a unified Future Retro narrative. They addressed this through deep interviews, digital collaboration tools, and frequent meetings, ensuring local creative concepts were respected. Externally, technical hardware constraints were significant. They utilized 16-panel transparent LED arrays to create a ship bridge entrance. This achieved spatial permeability, allowing visitors to glimpse the XR realm while maintaining a high-tech aesthetic that balanced production limitations with immersive design.
- Kafukufuku
- Our research profiled Pier2 visitors and XR enthusiasts to design a seamless transition between realities. They employed trend analysis, benchmarking Tesla’s unique coffee shop for its blend of futuristic aesthetics and functionality. By observing visitor flows and preferences, They identified that a future retro style effectively lowers technological barriers. Results proved this design language invites exploration, turning space into a communal interface. This directly contributed to record-breaking attendance, validating that intuitive design makes complex tech accessible.
- Chilimbikitso
- Inspired by the concept of Future Vintage, the design reinterprets the romantic futurism of the 1950s to 1970s: streamlined curves, metallic gleam, and cosmic aspirations. From the glowing entrance to the dramatic ticket booth and screening area, nostalgia and avant-garde aesthetics intertwine. Grand light gates, retro sci-fi details, transparent LEDs, and mirrored acrylic create a theatrical atmosphere, while flowing pathways gradually blur the line between physical and virtual realms.
- Nthawi ya Polojekiti
- The Kaohsiung film festival xr dreamland exhibition was held at Warehouse P3 of the Pier-2 Art Center in Kaohsiung, Taiwan, from October 10 to October 26, 2025.
- Mdondomeko ya Ntchito
- To maximize physical presence, the design focused on creating a visually striking entrance and ticket booth. This strategic architectural attraction served as a high-conversion funnel, guiding visitors from curiosity to entry. As the primary touchpoint, the Future Retro facade’s captivating aesthetic drove foot traffic and directly translated visitor engagement into a record-breaking box office performance of over one million dollars, surpassing all previous festival records.
- Mamembala a Gulu
- GM: Carrie Chang
Project Director: SK Chen
3D Designer: Peijou Wu
Coordinator: Esther Chen
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
