Ishidaya Primary Function: Malo Odyera a Chijapani ndi Atsushi Kawaguchi

Dizayini ya Ishidaya Primary Function: Malo Odyera a Chijapani ndi Atsushi Kawaguchi ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

BronzeMkati· 2026

Ishidaya Primary Function: Malo Odyera a Chijapani

ndi Atsushi Kawaguchi

Kasitomala: Ishidaya

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Mkati

6,937

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #180958

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Ishidaya Primary Function: Malo Odyera a Chijapani

Book Text: Ishidaya ndi malo odyera a Chijapani omwe ali pakati pa mzinda wa Hanoi. Ntchitoyi imagwiritsa ntchito Taisho Roman, nthawi imene zikhalidwe za Chijapani ndi za Kumadzulo zinasakanikirana, ngati maziko ake, kuyanjanitsa pakati pa kukongola kwa Chijapani ndi mtundu wa Kumadzulo wa nyumbayo. Chimango cha matabwa pamwamba pa kauntala chimaphatikiza kamangidwe ka chikhalidwe ndi geometry ya Art Deco ndipo chimagwira ntchito ngati chinthu chachikulu chowoneka. M'malo mokhala chokongoletsera, chimapanga malingaliro kudzera mu kuwala ndi malingaliro osintha. Zotsatira zake ndi malo odziwika bwino omwe amaphatikiza zizindikiro za chikhalidwe ndipo amapereka kumasulira komveka bwino kwa kudya kwamakono ku Hanoi.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Ishidaya Primary Function: Malo Odyera a Chijapani ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Ishidaya Primary Function: Malo Odyera a Chijapani akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Ishidaya Primary Function: Malo Odyera a Chijapani amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Miyezo ndi Kuphimba: Renovation of existing buildings
Zizindikiro: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Teknoloji Yopangira: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Vuto la Dizayini: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Kafukufuku: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Chilimbikitso: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Nthawi ya Polojekiti: The project started in August 2024 in Hanoi and finished in April 2025.
Mdondomeko ya Ntchito: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Mwini Zithunzi: All photos / HIROYUKI OKI