Dizayini ya House In Mise Nyumba ndi Tomomi Omachi ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.

BronzeZomangamanga· 2026

House In Mise Nyumba

ndi Tomomi Omachi

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zomangamanga

6,368

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #182293

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za House In Mise Nyumba

House In Mise ndi ntchito yokonzanso nyumba yakale yakumidzi ya ku Japan yomwe ili m'chigwa cha mtsinje ku Mitsuse, m'chigawo cha Saga. Ntchitoyi imabwezeretsa kuonekera bwino kwa malo a chimango choyambirira cha matabwa komanso kulumikizanso moyo watsiku ndi tsiku ndi nkhalango yozungulira ndi madzi oyenda. Zotsegulira zoikidwa mosamala, madenga otambasuka, ndi malo osinthira a magawo osiyanasiyana zimalola kuwala, mthunzi, ndi kusintha kwa nyengo kupanga mkhalidwe wa mkati mwa nyumba. Zipangizo zochokera m'deralo monga cedar, hinoki cypress, bango, granite, ndi shoji zopangidwa ndi manja zimalimbikitsa kugwirizana ndi nyengo komanso kukhulupirika kwa zipangizo.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

House In Mise Nyumba ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. House In Mise Nyumba akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. House In Mise Nyumba amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This project is a renovation of a traditional Japanese rural house that reorients daily living toward forest and river through spatial layering, light modulation, and material authenticity. By retaining the existing timber structure and integrating engawa-like thresholds with locally sourced materials, it achieves environmental continuity, sensory depth, and long-term sustainability.
Miyezo ndi Kuphimba: Renovation of an existing traditional Japanese timber residence located in Mitsuse, Saga Prefecture, Japan. The project preserves the original wooden structural frame while introducing new timber openings, shoji-lined windows, and expanded terraces. Materials include local cedar columns, knot-free hinoki flooring, reed ceilings, and granite paving. Passive environmental strategies include cross-ventilation, deep eaves, and interior–exterior continuity to moderate seasonal climate conditions.
Zizindikiro: Architectural renovation, Residential architecture, Adaptive reuse, Japanese architecture, Engawa reinterpretation, Landscape-integrated design, Climate-responsive architecture, Material authenticity
Teknoloji Yopangira: The project was realized through adaptive reuse of an existing post-and-beam timber structure, retaining approximately 80% of the original frame. Traditional Japanese carpentry and joinery were combined with precise contemporary detailing to recalibrate openings, deep eaves, and spatial thresholds. Locally sourced cedar, hinoki cypress, reed, granite, and handcrafted shoji paper were integrated to ensure climatic compatibility, material longevity, and seamless interior–exterior continuity.
Vuto la Dizayini: The primary challenge was reconciling contemporary living requirements with the preservation of a deteriorated traditional timber structure whose original spatial coherence had been lost through incremental alterations. Structural limitations, regulatory constraints on renovation, and climatic demands of a humid mountain valley required precise intervention. The project demanded selective demolition, careful structural repair, and the reinterpretation of traditional spatial principles to restore environmental continuity without erasing historical character.
Kafukufuku: Type of Research: Contextual architectural design research.
Research Objectives: To explore how traditional Japanese architecture can reconnect daily life with nature.
Methodology: Long-term site observation and iterative renovation design.
Data Collection and Tools: Climate analysis, spatial studies, material testing, and architectural drawings.
Participants: Architect and client collaboration over five years.
Results: A restored house integrating light, river, forest, and seasonal change.
Insights and Impact: Demonstrates how culturally rooted renovation can improve well-being and sustainable living.
Chilimbikitso: The project was inspired by traditional Japanese residential architecture, where light, shadow, and seasonal change shape daily life, and by the site’s forested river landscape in Mitsuse, Saga Prefecture. The client’s desire for refuge from urban intensity prompted a research-based approach to spatial layering, engawa reinterpretation, and material authenticity, integrating climate-responsive design and local craftsmanship to restore continuity between dwelling and nature.
Nthawi ya Polojekiti: The project is located in Mitsuse, Saga Prefecture, Japan, within a mountainous river valley in northern Kyushu. Design development and construction were carried out as a comprehensive renovation process, with the project completed in 2025 following an extended period of site analysis, design coordination, and on-site craftsmanship.
Mdondomeko ya Ntchito: The house is experienced through a gradual sequence between interior and nature. Large sliding openings connect the lounge, dining area, and guest spaces to terraces facing the river and surrounding forest. Light, wind, and seasonal landscape continuously transform the atmosphere throughout the day. The design encourages slow movement and quiet observation, allowing daily life to unfold in direct relationship with natural sound, light, and climate.
Petensi: Architectural design copyright: Tomomi Omachi / tou., 2026. Photographs copyright: Tatsuya Tabii, 2026.
Mamembala a Gulu: Tomomi Omachi
Mwini Zithunzi: Image #1: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #2: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #3: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #4: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #5: Photographer Tatsuya Tabii, House in Mise, 2025.