Aaron Leppanen and Gabriela Anker nisqap MareNostrum Tiyakuna Wasi diseñon

Aaron Leppanen and Gabriela Anker nisqap MareNostrum Tiyakuna Wasi diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2020 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiWasichiy· 2020

MareNostrum Tiyakuna Wasi

Aaron Leppanen and Gabriela Anker rurasqa

Mañakuq: Romero & Pazmiño Ingeniería Inmobilaria

Wasichiy T'aqapi A' Design Award Qullqi Premiu Atipaq

19,773

Taripasqa Premio Atipaq

#104748 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

MareNostrum Tiyakuna Wasi nisqamanta

MareNostrum nisqaqa pusaq patayoq tiyakuna wasim Quito llaqtapi, Ecuador suyupi. Kay sutiqa latín simipi "ñoqanchikpa mama qochanchik" nisqamanmi tikran, chaymanta ñawpaq wasinpa uyanqa Roma wampukunapa remonkunapa kuyuyninta yaqa musoqmanta rikuchin. Kururasqa uyanqa hatun balconkunatam ruwan, chaywanmi ukhu k'itita hawaman aysarin. Kuchuchasqa esquinakunaqa iskay patakunatam llapan, intimanta llanthuta qonku hinaspa wasi masikuna tinkunanpaq kitikunatam paqarichin. Kay wasiqa suitekunatam, iskay puñuna wasiyoq hinaspa kimsa puñuna wasiyoq departamentokunata, loftkunatapas hap'in, samana kitiwan ñoqoy kitikunawan azoteapi. Upalla ruwaykunam kikinmanta kanchayta wayrayllatapas qonku.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

MareNostrum Tiyakuna Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. MareNostrum Tiyakuna Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. MareNostrum Tiyakuna Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Tupukuna & P'istuy: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Etiquetakuna: Sea , Waves , Urban , Facade , Residential
Ruway Tecnología: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Diseño Sasachakuy: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
T'aqwiy: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Kallpachay: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Llamk'ay Pacha: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Purichiy Puriy: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Huñu Runakuna: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
Siq'i Hayñikuna: BICUBIK