Samiqman pasay
Takaharu Tezuka and Yui Tezuka nisqap The Pitched Roof Wasi diseñon

Takaharu Tezuka and Yui Tezuka nisqap The Pitched Roof Wasi diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2021 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.


QullqiWasichiy· 2021

The Pitched Roof Wasi

Takaharu Tezuka and Yui Tezuka rurasqa

Mañakuq: Tezuka Architects

Wasichiy T'aqapi A' Design Award Qullqi Premiu Atipaq

20,495

Llinphikuna

Diseñomanta

The Pitched Roof Wasi nisqamanta

Pitched Roof nisqaqa Karuizawa, Japón llaqtapi huk patalla wasim, ancha kaqlla wichay pataraqasqa qatasqa. Qata ukhupi kaq pachamantam tawa chunkalla iskay chunkanpi wisq'asqa, chaymi ukhu hawapiwan chawpin llampu kachkallanpuni. Warkusqa pataraqaqa suqta metromantawan chayan, ichaqa iskay pachak milímetro rakhullayuq wakichisqawan. Q'iwisqa, L-niraq patam monocoque hina llamk'an, hinaspa pisiyachin hayk'a takyachikuqkunatapas. Suchuq punkukunam tiyaqkunaman kawsana pachaq kayninta hukchanankupaq saqin. Kay wasiqa ñawpa Japón wasichaypi kaq rakhu patakuqta musuqmanta yuyaymanachin.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

The Pitched Roof Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. The Pitched Roof Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. The Pitched Roof Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Tupukuna & P'istuy
Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Etiquetakuna
House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Ruway Tecnología
The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Diseño Sasachakuy
In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
T'aqwiy
The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Kallpachay
Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Llamk'ay Pacha
The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Purichiy Puriy
The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Huñu Runakuna
Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Siq'i Hayñikuna
Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.

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