Mohammad Rahimizadeh and Shaqayeq Nemati nisqap Esfahan Runa Puriy Chaka diseñon

Mohammad Rahimizadeh and Shaqayeq Nemati nisqap Esfahan Runa Puriy Chaka diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2022 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiWasichiy· 2022

Esfahan Runa Puriy Chaka

Mohammad Rahimizadeh and Shaqayeq Nemati rurasqa

Mañakuq: Kalbod Studio

Wasichiy T'aqapi A' Design Award Burunsi Premiu Atipaq

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Taripasqa Premio Atipaq

#137566 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Esfahan Runa Puriy Chaka nisqamanta

Esfahan nisqaqa runa puriy chakam, Isfahan llaqtapi, Iran suyupi, kaq pachapaq disenasqa. Kay chakaqa teknolohia rantikuy wasita huk muyu wertayuq museowan tinkichin, chaymantapas qayllapi kaq hatun yachaywasikuna, taripay wasikuna hinaspa llamk'ana wasikunatapas yanapan. Rikuchina wasikuna, chawpi patiokuna hinaspa samana kitikunapas ñanpi churasqam kanku, chayrayku chay chimpay p'unchaypas huk llaqtapaq kikin kitin hina llamk'an. Kay rikch'ayqa Isfahan llaqtapi ñawpaq chakakunamanta rikch'akun, Khajoo chaka nisqata yuyarispa. Rikch'aq kutichiy (reflective symmetry) nisqa ruwaymi apaykachasqa, chayrayku ñawpaq k'itiqa mayupi rikch'aynintinwan huk hunt'asqa dibujuta ruwan. Ukhu kitikunaqa allin tikrakuq kanku, hinaspa askha kaq imaymana ruwaykunapaq apaykachakuyta atinku.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Esfahan Runa Puriy Chaka A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Esfahan Runa Puriy Chaka sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Esfahan Runa Puriy Chaka mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Tupukuna & P'istuy: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Etiquetakuna: Technology , bridge , Exhibition , Recreational , tourism , iran
Ruway Tecnología: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Diseño Sasachakuy: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
T'aqwiy: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Kallpachay: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Llamk'ay Pacha: esfahan - iran
Purichiy Puriy: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Huñu Runakuna: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -