Samiqman pasay
Art Institute of Xiaoyan nisqap Tianmianshang Pabellón diseñon

Art Institute of Xiaoyan nisqap Tianmianshang Pabellón diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2025 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.


BurunsiWasichiy· 2025

Tianmianshang Pabellón

Art Institute of Xiaoyan rurasqa

Mañakuq: Art Institute of Xiaoyan

Wasichiy T'aqapi A' Design Award Burunsi Premiu Atipaq

12,219

Llinphikuna

Diseñomanta

Tianmianshang Pabellón nisqamanta

Tianmianshang nisqaqa Huizhou llaqtapi, Guangdong hallp'a suyupi kaq pabellón kanmi. Kay pabellónqa naranja mallkikunap qhipanpi sayan, kawsayninchikpi samarikunapaq thak kaqllata kayta qun. Kay diseñoqa pisi, wasi pata, hanaq patawan, ukhu-hawa akllayta tapun. Pisi ima wasi patawan qhawachikuq patakuna, achka ñawpaq (umbral) kikllukunata ruwanku. Tawa hatun pirqakunaqa iskay mana kaqllata churasqa concreto pirqawan, concreto sayaqkunawan huñusqa kachkan, chaykunaqa ukhu k'itikunata quyllurichinku, ukhupi ima achka patakunata yapanku. Wasi patapiqa hukllalla, llasapaq, ch'usaq (limpio) sirkakunayuq acero (fierro) sayaykachiq kachkan.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Tianmianshang Pabellón A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Tianmianshang Pabellón sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Tianmianshang Pabellón mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
Art Institute School of Xiaoyan wants to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. AIXY hopes this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Etiquetakuna
Rural Design, Cultural Design, Public Space
Ruway Tecnología
Its column, using concrete structure, in addition to the four main walls created for the interior space, also added two irregularly arranged concrete walls, which are not simply used to separate the space but blur the boundaries of the space, forming a spatial structure from unorganized to shaped. This design not only enhances the stability of the building but also gives the whole space more layers of change.
A one-piece, lightweight steel structure is used for the roof. This design not only visually presents clean and smooth lines but also strengthens the sense of unity and lightness of the building as a whole, making the building seem to float in the surrounding natural environment. It not only conforms to the aesthetics of modern architecture but also interprets the architectural concept of man and nature.
Diseño Sasachakuy
This project was completed by the students and tutors of Art Institute School of Xiaoyan, during which the communication and design of the program, as well as the coordination between the students was challenging.
T'aqwiy
When a space is abstracted to its elementary components, people are given a chance to decompose and re-examine these components on a more fundamental level.
Since mankind adopted the concept of shelter as a tradition, “the threshing floor was a place of work but also a place of gathering, dancing, ritual, and worship” (Elements of Architecture, Rem Koolhaas).
Art Institute School of Xiaoyan intended for the project to be a space of action and gathering. Approaching the request with its intended abstractedness, they want to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. They hope this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Kallpachay
From plaza to apartment floors to parliament floor, the idea of floor has been a fundamental symbol for action, be it the more private types or more public types such as a place for negotiation, congregation. Similarly, the roof or ceiling (in this case Art Institute of Xiaoyan is intentionally obscuring the distinction between the two), is the reciprocal of floor, completing the concept of a sheltered space, and has evolved in recent years to being an envelope for practicality (hidden structural system, HVAC system, false ceiling etc)
Llamk'ay Pacha
It is located in Huizhou City, Guangdong Province.
Purichiy Puriy
Art Institute School of Xiaoyan wants to create a space that breaks traditional boundaries, a building that is not just a physical entity but an experience. This pavilion is situated behind an orange grove, where people can temporarily disconnect from the hustle and bustle and experience nature.
Huñu Runakuna
Jianguo Dong
Jinjun Zhang
John Barton
Simba Xu
Michaël Dooley
Zhixuan Luo
Jintao Li
Yawen Wang
Xiwu Chen
Na Ou
Yanjun Zhang
Yaqi Wang
Yuezhuo Hu
Tsingz Huang
Ziqi Wang
Yueyao Huang
Ziyu Zhou
Zimo Zhao
Yiyi Yang
Peichen Dong
Hao Geng
Langbo Shi
Shanghong Shi
Haoxiang Yuan
Xinlei Liu
Chenyu Lai
Yaxin Zhang
Junning Zhang
Zhishun Min
Jiashu Xiang
Zichang Guo
Yanjie Zhu
Yutong Yao
Qixuan Yang
Zixi Liu
Anni Zheng
Ziyan Wang
Zixi Chen
Ziying Chen
Chuyue Li

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