Satoshi Kurosaki nisqap Grace Tiyana Wasi diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2025 A' Design Award Quri Premiu nisqap ancha chaniyuq atipaqninmi.
QuriWasichiy· 2025
Grace Tiyana Wasi
Satoshi Kurosaki rurasqa
Mañakuq: APOLLO Architects & Associates Co., Ltd.
Wasichiy T'aqapi A' Design Award Quri Premiu Atipaq
Taripasqa Premio Atipaq
#169916 nisqapaq Premio Kayninta TaripayDiseñomanta
Grace Tiyana Wasi nisqamanta
Grace nisqaqa huch'uy k'ullu tullumanta ruwasqa tiyana wasim, kimsa runayuq ayllupaq, Tokyo llaqta hawanpi mayu patapi kaq allpapi. Kay wasiqa wasimanta llamk'ana kawsaypaq wakichisqam. Waqaychana cheqaskuna, wayk'una hampara imakuna, hukkuna llamk'apuq kaqkunapas perqakunaman churasqa kanku, chaywan suni k'ikllu ukhupi huk kayninta hinallataq qatiy kayninta astawan sinchiyachinapaq. Sapallan puñuna kuchukunaqa ñawpaq kaq patapi kachkanku, iskay kaq pataqa huk kicharisqa hatun kuchullam, wasi qatanap urinpi, rikch'akuq k'aspikunayuq hinallataq mana chiqan k'anchayniyuq. Qhawana qispiyuq ñawpaq balconqa hatun wasi qata patayuqmi, llamk'aymanta samariyman chimpanapaq.
Riqsichiy
A' Design Award Quri Premiu nisqamanta
Grace Tiyana Wasi A' Design Award Quri Premiu mishak kan, ancha jatun yupaychay, kayta ñawpak kallari, sumak shinallatak mancharina diseñukunaman kun. Quri mishak kashkakunaka mushuk yuyay achka, ñawpakta rikuk shinallatak achikyaska rurashkakunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Grace Tiyana Wasi ashtawan alabashka, mushuk ñankunata churak shinallatak hatun valorta kuk yuyay kanata munanku. Kay Quri Premiu japishka diseñuka hanak, yupaychashka rurashka kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Grace Tiyana Wasi munayta kallarichin, yuyayta kallarichin, ruraytapash kallarichin shinallatak kuyaychin.
Diseño Qhipanpi
Prensa Kit
Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.
- Sapaq Kayninkunamanta
- A key design challenge was assimilating contradictory elements such as work/leisure, interior/exterior, and private/public in order to achieve that harmonious lifestyle within a limited space. In contrast to private areas such as the master bedroom and child’s bedroom on the first floor, the second floor consists of a single open room. The front balcony, a glassed-in intermediary space with deep eaves, plays an especially important role in transitioning between work and leisure. The furniture on the balcony has a similar aesthetic to that inside the house, which creates a sense of continuity, while the one-way glass blocks visibility from the road but lets in natural scenery, resulting in a uniquely comfortable atmosphere.
- Tupukuna & P'istuy
- Principal Use : Private housing
Structure : Timber
Site Area: 133.70m2
Total Floor Area : 106.16m2(49.69m2 /1F, 56.47m2 /2F) - Etiquetakuna
- GRACE, APOLLO Architects & Associates, House, Residence, Residencial,Architecture, Japan
- Ruway Tecnología
- Exterior Finish : Galvalume, Elastic Lysince Spray
Floor : Tile Flooring, Walnut Flooring
Wall : Wallpaper
Ceiling : Wallpaper, Spruce Pine Fir (SPF), Lauan Plywood, Walnut Lighting : LED - T'aqwiy
- Enclosing all functional elements within wall storage units allowed us to eliminate the visual noise of excess objects and enhance concentration on work. Meanwhile, the exposed rafters of the gable roof with indirect lighting set into them make this second-floor space both unusual and relaxing. Perhaps this design approach, which takes smallness not as a minus but as a plus in terms of coziness and comfort, will be even more sought after in the post-Covid 19 era.
- Kallpachay
- This small wood-framed residence for a family of three takes advantage of the riverside views from its lot on the outskirts of Tokyo. Designed to cater to a work-from-home lifestyle, the storage, kitchen appliances, and other functional features are built into the walls to enhance unity and continuity in the long, narrow space. The result is a home where daily life coexists comfortably with work.
- Llamk'ay Pacha
- Design Period : March 2019 - August 2019
Construction Period : December 2019 - March 2021 - Huñu Runakuna
- Satoshi Kurosaki
- Siq'i Hayñikuna
- Photography : Masao Nishikawa
Videographer : Seiya Aoki
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