Daisuke Nagatomo and Minnie Jan nisqap Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación diseñon

Daisuke Nagatomo and Minnie Jan nisqap Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación diseñonqa Achik Ruray Kamay Atipanakuy T'aqapi 2026 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.

BurunsiAchik Ruray· 2026

Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación

Daisuke Nagatomo and Minnie Jan rurasqa

Mañakuq: MisoSoupDesign

Achik Ruray T'aqapi A' Design Award Burunsi Premiu Atipaq

11,611

Taripasqa Premio Atipaq

#180159 nisqapaq Premio Kayninta Taripay

Sitio Web Qhaway A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación nisqamanta

Arrival nisqaqa mana wiñaypaq kʼanchay instalaciónmi, iskay reciclasqa cargana containerkunawan sayarichisqa, hukninpa patanpi huknin churasqa. Kay containerkunaqa huk kʼikllu puriy ñanta ruwanku, muyusqa acero uyakunawan, huk wampu puerto ukhuman yaykumusqan ñawpaqninmanta yuyaychasqa. Iskaynin puntapi espejokunaqa llaqtata, mama quchata, watukuqkunatawan rikuchinku, chiqap pachawan rikchʼaynin purapi saywata chinkachispa. Ukhupi churasqa LED kʼanchaykuna phuyu ruwaq sistemapiwan chay ñanta chʼisi horaspi kawsarichinku. Arrival nisqaqa rikuchin imaynatam ñawpaq industria materialkuna huk runakunapaq ukhunchakuq arte ruwayman tukuyta atisqankuta.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. Arrival Kʼanchay Churasqa Arte, Kʼanchaywan Ruwasqa Instalación mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Tupukuna & P'istuy: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Etiquetakuna: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Ruway Tecnología: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Diseño Sasachakuy: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
T'aqwiy: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Kallpachay: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Llamk'ay Pacha: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Purichiy Puriy: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Huñu Runakuna: Jenny Yeh, Sugar Hu
Siq'i Hayñikuna: Kaohsiung Art Museum