Boney Keriwala and Alak Parmar nisqap Wrapped Volumes Rantina Wasi diseñon

Boney Keriwala and Alak Parmar nisqap Wrapped Volumes Rantina Wasi diseñonqa Wasichiy Kamay Atipanakuy T'aqapi 2020 A' Design Award Qullqi Premiu nisqap ancha chaniyuq atipaqninmi.

QullqiWasichiy· 2020

Wrapped Volumes Rantina Wasi

Boney Keriwala and Alak Parmar rurasqa

Mañakuq: The BAD Studio

Wasichiy T'aqapi A' Design Award Qullqi Premiu Atipaq

18,568

Taripasqa Premio Atipaq

#98323 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Wrapped Volumes Rantina Wasi nisqamanta

Wrapped Volumes nisqaqa huk kachariq rantina wasim, huk industria llaqtap kantunpi churasqa. Kay pachaqa manam allin kikin muyuriqniyuqchu, chaymi kay ruray puriyniyman hina qutuchakun. Ñanpa kuyuyninqa huk mana pakiq maytukusqa uyaman tikrakun, chaymi wasita pachamanta hoqarin. Maytukuypa wakin partikunaqa allpapata pataman tukun, wakin partikunataq huk amachaq qaramanhina llamkan, chaywanmi urin kinraymanta ruphayta pisiyachin. Uyanqa ribbi yesomanta ruwasqam, kikin llaqta ruwaqkunap makinwan ruwasqa. Chuya ukhu pachakunaqa kikin achkirwanmi qunqurchakun.

Riqsichiy

A' Design Award Qullqi Premiu nisqamanta

Wrapped Volumes Rantina Wasi A' Design Award Qullqi Premiu mishak kan, ancha jatun yupaychay, kayta hanak, sumak shinallatak mancharina diseñukunaman kun. Qullqi mishak kashkakunaka ancha achikyaska shinallatak ancha mushuk ruraykunami, paykunata rurakkunapak yachayta, yuyayta shinallatak ushayta rikuchinku. Wrapped Volumes Rantina Wasi ruray yachak, ñawpak shinallatak mushuk yuyayta charik sumak rurashka kanata munanku. Kay Qullqi Premiu japishka diseñuka ancha riksishka shinallatak yupaychashka yuyay kan, arti, siensia, diseñu shinallatak tekinolojía ñawpak ñankunata kichuk. Wrapped Volumes Rantina Wasi achka runakunapak munashka rurashka kan, munayta kallarichin, alli yuyaykunata kun shinallatak mancharichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Being a temporary structure, the idea was to reduce the cost and at the same time giving a visitor a sumptuous feel. Translating the movement of road and WRAPPING VOLUMES gives excellent vibrant spaces, where light and shadow play equally important roles in intensifying the geometry. The office weaves the landscape and structure by engaging visitor to transcend from exterior to interior spaces to experience a sumptuous character of compact interior spaces washed in natural light..
Tupukuna & P'istuy: 15550mm x 10250mm x 4475 mm
Etiquetakuna: Architecture, Commercial, Wrapped Volumnes, Design, Commercial Architecture,
Ruway Tecnología: The building is composite structure with partial metal columns and insulated corrugated sheet roofing along with partial R.C.C frame structure to support roof. Tinted Glass glazing enhances the floating mass levitated through metal columns. The facade is ribbed plaster manually crafted by local craftsman. The flooring is cement texture finished vitrified tiles, while landscape zone comprises of Kota Stone, along with paving blocks in the outdoor pathways and parking zone.
Diseño Sasachakuy: It was difficult for local masons to understand and construct the structure with a complex geometrical form. To overcome this, we mapped the points on-site by erecting poles and tying a string to achieve the form. Secondly, the facade poses a ribbed plaster. Generally, plaster tends to fall off if hit hard. We tried to re-create the ratio of cement to sand until the plaster firmly adhered to the wall. A series of samples with different size and proportions were created as a part of the research.
T'aqwiy: We stared our initial research by understanding the immediate context and approach to the site to understand the flow of users . It was also important to keep in mind the typology of people visiting the building to retain hierarchy of public to private places. Analyzing the climatic factors to device the allocation of spaces to achieve diffused natural light into the interior spaces. It was very important to achieve a striking material aspects, responding to climate and local availability.
Kallpachay: The site lacks specific context, at the same time the connecting approach road chops the site into a trapezoidal shape. We tried to transform this progressive movement of the road along the site into geometry by wrapping up the spaces into a continuous facade, With an intent where the structure lifts itself up from the ground and transforms itself into a dynamic geometry. Some parts of this wrap form a landscape layer, while others a protective skin, reducing the heat gain from the south.
Llamk'ay Pacha: The project started in November 2018 and got completed in February 2019, The Project is located in Bharuch, Gujarat, India
Purichiy Puriy: As one enters, tones of grey on wall and floors are complemented by the outdoor greens of landscape, drawing an individual to a reception foyer. The sales area along the south side receives filtered light through the wrapped facade with minimal heating. Being a compact space, the passage along the north side with glass pane brings ample natural light giving a larger feel. The movement terminates at the director’s cabin, a lavish space with an outdoor deck and connecting green space.
Huñu Runakuna: Boney Keriwala, Alak Parmar, Taikhum Shaikh, Aadil Amla
Siq'i Hayñikuna: Image courtesy : Panchkon Stills, Mr. Yash Parekh
Image #1 : Panchkon Stills
Image #2 : Panchkon Stills
Image #3 : Panchkon Stills
Image #4 : Panchkon Stills
Image #5 : Panchkon Stills