Umushinga Ike Inzu wa Hatsuo Morimoto ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ubwubatsi.

BuronzeUbwubatsi· 2021

Ike Inzu

na Hatsuo Morimoto

Umukiriya: moKA architectural design office

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ubwubatsi

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #110168

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Ike Inzu

Ike ni inzu ifite amagorofa atatu hamwe n'icyumba cyo hejuru (penthouse), yubatswe mu karere k'umujyi gatuwe cyane muri Nagoya, mu Buyapani. Iyi nyubako y'amabeto akomeretswe n'ibyuma ifite ubuso bw'ikibanza bwa metero kare 365 n'ubuso bw'amagorofa bwa metero kare 602. Inkuta zo hanze zarangijwe hifashishijwe amabeto afite igishushanyo cy'ibiti, akorwa mu gushyira ibipande by'ibiti bya sederi (cedar) mu bikoresho byo kubumba mbere y'uko amabeto asukwa. Amarembo y'imodoka akozwe mu biti, ibirahure by'urukuta rw'igitangaza (curtain wall) hamwe n'amabuye y'uruzitiro birangiza imiterere yo hanze. Ubusitani butatu buto (pocket gardens) buzana urumuri rutaziguye, umwuka n'icyatsi mu byumba. Amagorofa yo hejuru yashyizweho mu buryo bw'itandukaniro kugira ngo izuba rigere no ku nzu z'abaturanyi.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Ike Inzu ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Ike Inzu biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Ike Inzu ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Ibipimo n'Ipaki: Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Ibibazo Fatizo: Architecture, House, Concrete, Curtain wall, Garden, Japanese
Ikoranabuhanga ryo Guteza Imbere: As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Ikibazo cy'Ishusho: Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Ubushakashatsi: Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Ibyatumye Habaho: The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Igihe cy'Umushinga: This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Uburyo bw'Imikorere: This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.