Umushinga Qin Umurongo w'Amaposita wa Kaidi Mao ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Amashusho.

BuronzeAmashusho· 2021

Qin Umurongo w'Amaposita

na Kaidi Mao

Umukiriya: Kaidi Mao

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Amashusho

9,015

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #124488

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Qin Umurongo w'Amaposita

Qin ni umurongo w'amaposita usubiramo mu buryo bushya umuco gakondo w'Ubushinwa wo gushushanya ibidukikije binyuze mu ikoranabuhanga rigezweho. Izina Qin rikomoka ku ijambo ry'Igishinwa risobanura kwinjira cyangwa kwinjira buhoro buhoro, naho inyuguti yaryo yanditse ihuza ibimenyetso by'amazi n'umutima. Amashusho atangira ari amafoto hanyuma akajyaho gukoreshwa n'ibikoresho by'ikoranabuhanga nka Photoshop, Cinema 4D na Procreate. Uyu murongo ukorwa mu ngano ebyiri kandi ushobora kwerekanwa hakoreshejwe uburyo bwo gucapa cyangwa kuri ecran, mu nzu ndangamurage cyangwa mu rugo. Intego ni ukugaragaza imyumvire ya Tao ku bijyanye n'ibidukikije, igenewe abantu bo ku isi hose.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Qin Umurongo w'Amaposita ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Qin Umurongo w'Amaposita biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Qin Umurongo w'Amaposita ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Ibipimo n'Ipaki: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Ibibazo Fatizo: Art, poster, Taoism, culture, landscape, painting
Ikoranabuhanga ryo Guteza Imbere: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Ikibazo cy'Ishusho: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Ubushakashatsi: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ibyatumye Habaho: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Igihe cy'Umushinga: The project started in September 2019, finished in May 2020 in Los Angeles.
Uburyo bw'Imikorere: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.