Yan Inzu ndangamurage y'Ubuhanzi na Guanyu Tao

Umushinga Yan Inzu ndangamurage y'Ubuhanzi wa Guanyu Tao ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Zahabu mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ubwubatsi.

ZahabuUbwubatsi· 2025

Yan Inzu ndangamurage y'Ubuhanzi

na Guanyu Tao

Umukiriya: Gerry Tao

Uwatsinze Igihembo cya A' Design Award cya Zahabu mu Cyiciro cya Ubwubatsi

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #163921

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Yan Inzu ndangamurage y'Ubuhanzi

Inzu ndangamurage y'ubuhanzi ya Yan isobanura mu buryo bushya umubano uri hagati y'ubwubatsi n'imiterere karemwa, ikaba ikigo cy'umuco cyerekana umurage gakondo w'ahantu. Ibarizwa mu miterere ikomeye y'ubutaka bwa Rushan, Shandong, igishushanyo cyayo cy'ubwubatsi cyavanze cyafashijwe n'imiterere y'amabuye n'imigozi itemba. Inzu ndangamurage igizwe n'ibibanza bizengurukijwe n'amazi, amazu y'abahanzi, inzu z'ibishushanyo zihindagurika, n'ahantu ho gukora ibitaramo, byose bihujwe ku nzego zinyuranye. Uruziga rufite imiterere rwigana ibuye karemwa, rwifatanya neza n'inyubako n'ibidukikije byarwo, mu gihe ruhindura ubutaka bw'imisozi bukabuhinduza mu nzira n'ibibanza bikoreshwa.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Zahabu

Yan Inzu ndangamurage y'Ubuhanzi ni uwegukanye Igihembo cya A' Design Award cya Zahabu, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo biri ku rwego rwa mbere, bitangaje kandi by'indashyikirwa. Abegukanye Zahabu ni ibihangano birimo udushya twinshi, bifite icyerekezo kandi bimurika, bigaragaza impano, ubwenge n'ubuhanga bw'ababihanze. Yan Inzu ndangamurage y'Ubuhanzi biteganyijwe ko izaba igihangano gishimwa cyane, gishyiraho imigendekere mishya kandi gitanga agaciro katigeze kaboneka. Iki gishushanyo cyegukanye Zahabu ni umushinga utangaje kandi wubahwa ugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Yan Inzu ndangamurage y'Ubuhanzi itera ibyifuzo bikomeye, ikangura ishyaka, ishishikariza guhanga kandi igatwara imitima yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Ibipimo n'Ipaki: Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Ibibazo Fatizo: Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Ikoranabuhanga ryo Guteza Imbere: Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Ikibazo cy'Ishusho: Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Ubushakashatsi: Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Ibyatumye Habaho: The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Igihe cy'Umushinga: The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Uburyo bw'Imikorere: Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Patente: Copyrights belong to Guanyu Tao, 2024
Abagize Itsinda: Guanyu Tao
Abafotoye: Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao